⬇️ BEVERLY 'Guitar' WATKINS ⬇️
Beverly "Guitar" Watkins (April 6, 1939 – October 1, 2019) is an American
black female blues guitarist. Sandra Pointer-Jones writes, "Beverly
Watkins is a pyrotechnic guitar maven whose searing, ballistic attacks on
the guitar have become allegorical tales within the blues community."
George Varga, reviewing her debut CD, observed that Watkins “sings and
plays with enough poise and verve to make musicians half her age or
younger consider alternative means of employment.”When Watkins was approximately 12, her family moved to Commerce, Georgia. She began playing music as a schoolchild, and then in high school played bass for a band called Billy West Stone and the Down Beats.
In approximately 1959, her junior year of high school, she was introduced
to Piano Red, who had a daily radio show on WAOK, and she subsequently
joined Piano Red and the Meter-tones, who played in a number of towns in the
Atlanta area, and then Atlanta clubs such as the Magnolia Ballroom and the
Casino, before starting to tour throughout the southeast, primarily at
colleges. About the time the group renamed itself Piano Red and the
Houserockers, they started touring nationally.
The group had two successful singles: "Dr. Feelgood" and "Right String But
The Wrong Yo-Yo". After recording "Dr. Feelgood" the group was known
variously as Piano Red and The Interns, Dr. Feelgood and The Interns, and
Dr. Feelgood, The Interns, and The Nurse. The group also included Roy Lee
Johnson (composer of "Mr. Moonlight", later recorded by The Beatles).
After the breakup of the band in approximately 1965, Watkins played with
Eddie Tigner and the Ink Spots, Joseph Smith and the Fendales, and then with
Leroy Redding and the Houserockers until the late 1980s. Subsequently she
has been based in Atlanta, a well-known fixture at the Underground
Atlanta.
Watkins, who not only had a long and continuous musical career, but worked
with artists like James Brown, B.B. King and Ray Charles, was well known for
years within the blues community. However, like many roots musicians both
black and white, she found it difficult to crack the airwaves, and achieved
renown late in her career, after the advent of the Internet made it possible
for musicians not backed by major labels to be heard by a wider
audience.
She was re-discovered by Music Maker Relief Foundation founder Tim Duffy,
who started booking her in package shows, and in 1998, with Koko Taylor and
Rory Block, was part of the all-star Women of the Blues “Hot Mamas” tour.
Her 1999 CD debut, Back in Business, earned a W.C. Handy Award nomination in
2000.
Watkins was playing internationally (e.g., the Main Stage at the Ottawa
Blues Fest in 2004) as well as in her hometown Atlanta until temporarily
sidelined by surgery in 2005, but is recovered and taking bookings. She
performed a set at the 2008 Cognac Blue Festival.
NEW
1999-Back in Business (NoL) @FLAC
2007-Live at the New Morning (DVD) @MPG
2022-In Paris @FLAC+
