Showing posts with label Blues Vocal. Show all posts
Showing posts with label Blues Vocal. Show all posts

JAMES 'Wee Willie' WAYNE

(5CD)
 BIOGRAPHY 
James Douglas Wayne (March 3, 1920 or April 17, 1924 – March 31, 1978), who recorded in the 1950s and early 1960s as James Waynes, James Wayne, and Wee Willie Wayne, was an American rhythm and blues singer, songwriter and musician. He recorded "a fine blend of Texas blues and New Orleans R&B". He had a no.2 hit on the Billboard R&B chart in 1951 with the song "Tend To Your Business", and that year also recorded one of the earliest versions of the widely performed song "Junco Partner".

Details of his life are obscure. According to his own account, he was born in Houston, Texas, in 1920, although some sources give his birthplace as Jefferson County, Texas with a date of birth in 1924, and others state it as New Orleans.

He claimed to have undertaken training as a commando, and spent time in jail around 1950 for burglary, before becoming a musician. He sang, played guitar, and reportedly also played drums. He is believed to have first recorded in Houston, for the Sittin' In With record label started by Bob Shad. His recording of "Tend To Your Business" became a hit in 1951, and stayed on the R&B chart for 14 weeks. He followed it up with "Junco Partner (Worthless Man)" in 1952, recorded by Shad in Atlanta, Georgia. According to musician Mac Rebennack (Dr. John), Wayne's version made the song popular, although it was already widely known among musicians in New Orleans and elsewhere, as: "the anthem of the dopers, the whores, the pimps, the cons. It was a song they sang in Angola, the state prison farm, and the rhythm was even known as the 'jailbird beat'." In all, he recorded five singles for the Sittin' In With label, the first three credited to James Waynes, with a final "s".

Wayne then recorded with Lee Allen and other musicians for Imperial Records in New Orleans, before moving to the Aladdin label in Los Angeles, and then Old Town Records. He returned to Imperial in 1955, when he began to record as Wee Willie Wayne. One of his recordings there was "Travelin' Mood", which became another R&B standard recorded by Dr. John and others; the B-side was "I Remember", another classic recording. He also recorded for the Peacock and Angle Tone labels, before returning again in 1961 to Imperial where he recorded an updated version of "Tend To Your Business", as part of an album, Travelin' Mood, mostly made up of earlier recordings.

He did not record after 1961. In February 1967, he was arrested after setting fire to a motel in South Central Los Angeles following an argument with its manager, and was charged on three felony counts. He was found to have had a history of alcoholism, and to be suffering from paranoid schizophrenia, and was committed to a mental health institution. His claims of having been a successful musician were initially discounted by the authorities. He spent several years in the Atascadero State Mental Hospital in the early 1970s, before being released.

In 1975, he was reportedly living in Los Angeles. According to blues researchers Bob Eagle and Eric LeBlanc, he died in Los Angeles in 1978 and was buried at Santa Fe Springs.

A compilation LP, Travelin' From Texas To New Orleans, was issued by Sundown Records in 1982. A CD compilation of the same title was issued in 2002, and a CD of his 1950-1955 recordings was issued by Jasmine Records in 2019. (Wikipedia)

Trudy LYNN

⬇️ TRUDY LYNN ⬇️
(Lee Audrey Nelms)
DISCOGRAPHY 1989-2026 (20CD)
 BIOGRAPHY 
Trudy Lynn (born August 9, 1947) is an American electric blues and soul blues singer and songwriter, whose recorded work has been released on nine albums.

She was born Lee Audrey Nelms in the Fifth Ward, Houston, Texas, United States.

Her professional singing career began in the mid-1960s, when she sang with the guitarist Albert Collins and then later, Clarence Green. Use of her stage name of Trudy Lynn was in place when she performed with the Rhythmaires in the late 1960s.

Her early work was in the rhythm and blues genre, and she once opened for Ike & Tina Turner. In the 1970s, Lynn expanded her performing base from clubs in Houston, to regional work and then overseas.....

NEW!
1998-Retrospectives Trudy Lynn @FLAC+
2019-Connor Ray Christmas @FLAC
2026-Turning the Same Ole Corners @FLAC24

Jimmy RUSHING

⬇️ JIMMY RUSHING ⬇️
(James Andrew Rushing)
DISCOGRAPHY 1945-2024 (56CD/DVD)
 BIOGRAPHY 
        
James Andrew Rushing (August 26, 1901 - June 8, 1972), known as Jimmy Rushing, was an American blues shouter and swing jazz singer from Oklahoma City, Oklahoma, United States, best known as the featured vocalist of Count Basie's Orchestra from 1935 to 1948.


Rushing was known as "Mr. Five by Five" and was the subject of an eponymous 1942 popular song that was a hit for Harry James and others-the lyrics describing Rushing's rotund build: "he's five feet tall and he's five feet wide". He joined Walter Page's Blue Devils in 1927, then joined Bennie Moten's band in 1929. He stayed with the successor Count Basie band when Moten died in 1935.

Rushing was a powerful singer who had a range from baritone to tenor. He could project his voice so that it soared over the horn and reed sections in a big-band setting. Basie claimed that Rushing "never had an equal" as a blues vocalist..... (Wikipedia)

NEW!
1999-Every Day @FLAC
1999-Oh Love @FLAC+
2007-Vanguard Visionaries @FLAC
2015-Remastered Collection @320
2021-Good Ol' 5 x 5 @FLAC+
2021-Just Because @FLAC
2021-Where Were You @FLAC+
COLLECTION
ESSENTIAL CLASSICS
Vol. 593 Jimmy Rushing @FLAC
COLLABORATION
Buck CLAYTON
2017-Cat Meets Chick - A Story in Jazz (Analog Source Remaster) @FLAC
JAZZ VARIOUS
VA-All That Jazz, Vol. 63 – Changes @FLAC24-48
VA-Directly from the Half Note @FLAC
VA-Ralph J. Gleason's Jazz Casual, Vol.2 @FLAC

Sweet BETTY

⬇️ SWEET BETTY ⬇️
(2CD)
 BIOGRAPHY 
Known for her powerful voice, Sweet Betty Journey passed away on June 20, 2026, at the age of seventy-six, three days before her 77th birthday.

She had been suffering from serious health issues, and according to the Music Maker Relief Foundation (which I thank for providing the information needed to write this article), she had even spent ten months in the hospital in 2024…

She was born Elizabeth S. Echols on June 23, 1949, in Duluth, Georgia, about fifty kilometers northeast of Atlanta. With a mother who sang in church, she got her start in gospel music before moving to Atlanta. After singing at parties for friends, she decided in the mid-1980s to make music her career and worked with saxophonist Grady “Fats” Jackson, who recorded with Big Joe Turner in 1953 as part of a band that also included Elmore James.

After Jackson’s death in 1994, she accompanied Bob Margolin, among others, and in 1997, she recorded “They Call Me Sweet Betty” for JSP—a fine album that I reviewed in issue 151 of Soul Bag. In fact, it was Margolin who introduced her the following year to Music Maker, which would support her in 2003 and enable her to release another remarkable album in 2004, *Live and Let Live*.

Sweet Betty would not record again but continued to perform and tour in the Atlanta area. I invite you to listen to a track from her first album, *They Call Me Sweet Betty*, and one from her second, *Walk the Street*.

Brenda BOYKIN

⬇️ BRENDA BOYKIN ⬇️
DISCOGRAPHY 2002-2016 (24CD)
 BIOGRAPHY  
Boykin a commencé à chanter dans la chorale de la North Oakland Missionary Baptist Church et y était chanteur solo. Elle a appris la clarinette au lycée et s'est tournée vers le jazz et le blues tout en étudiant la psychologie à l'université de Berkeley.

Elle est devenue connue comme la chanteuse du Johnny Nocturne Band. Elle a joué dans de nombreux festivals internationaux, tels que le DuMaurier Jazz Festival à Vancouver, le Monterey Bay Blues Festival, le Monterey Jazz Festival, le San Francisco Blues Festival et le Umbria Jazz Festival.

Elle a été lauréate du concours Montreux Under the Sky au 39e Montreux Jazz Festival ; son quatuor a été nommé meilleur groupe de tout le festival en plein air. En 2015, elle s'est produite en tant que soliste avec le Russian Chamber Philharmonic St. Petersburg au gala du Zelt-Musik-Festival à Fribourg. Elle est régulièrement invitée à ce festival.

Elle a longtemps travaillé avec le guitariste Eric Swinderman, mais en 2004, elle a déménagé de San Francisco à Wuppertal. Elle est impliquée dans le projet allemand de nu-jazz Club des Belugas.

NEW!
BLUESCATS
2023-Bring It On Home-The Willie Dixon Project @320

Ruth BROWN

⬇️ RUTH BROWN ⬇️
DISCOGRAPHY 1950-2026 (61
CD/DVD)
 BIOGRAPHY 
        
Ruth Brown (January 12/January 30, 1928 – November 17, 2006) was an American singer-songwriter and actress also known as "Queen of R&B" noted for bringing a pop music style to R&B music in a series of hit songs for Atlantic Records in the 1950s, such as "So Long", "Teardrops from My Eyes" and "(Mama) He Treats Your Daughter Mean".


For these contributions, Atlantic became known as "The house that Ruth built" (alluding to the popular nickname for Old Yankee Stadium).

Following a resurgence that began in the mid-1970s and peaked in the 1980s, Brown used her influence to press for musicians' rights regarding royalties and contracts, which led to the founding of the Rhythm and Blues Foundation.

Her performances in the Broadway musical Black and Blue earned Brown a Tony Award, and the original cast recording won a Grammy Award..... (Wikipedia)

NEW!
1965-Ruth Brown '65 @FLAC
1997-Miss Rhythm- The Rest & More Of The Best @FLAC+
2018-I Cried a Tear @FLAC24
2025-Miss Rhythm (Remastered Edition) @FLAC24
2025-Secret Love @FLAC24
2026-Rock & Roll Queen. The Lost Ruth Brown Sessions (Remastered) @FLAC24
2026-Ruth Brown's Rock & Roll Legacy (Remastered) @FLAC24

Memphis MINNIE

⬇️ MEMPHIS MINNIE ⬇️
(Lizzie Douglas)
DISCOGRAPHY 1929-2025 (71CD)
 BIOGRAPHY 
        
Memphis Minnie (June 3, 1897-August 6, 1973) was an American blues guitarist, vocalist and songwriter. She was the only female blues artist considered a match to male contemporaries as both a singer and an instrumentalist.


Born Lizzie Douglas in Algiers, Louisiana, Minnie was one of the most influential and pioneering female blues musicians and guitarists of all time. She recorded for forty years, almost unheard of for any woman in show business at the time and unique among female blues artists.


A flamboyant character who wore bracelets made of silver dollars, she was a very popular blues recording artist from the early Depression years through World War II.


One of the first generation of blues artists to take up the electric guitar, in 1942, she combined her Louisiana-country roots with Memphis blues to produce her own unique country-blues sound; along with Big Bill Broonzy and Tampa Red, she took country blues into electric urban blues, paving the way for Muddy Waters, Bo Diddley, Little Walter, and Jimmy Rogers to travel from the small towns of the south to the big cities of the north...... (Wikipedia)

NEW!
2025-The Queen Of Country Blues_Selected Recordings (1929-53) @FLAC

Teresa JAMES

⬇️ TERESA JAMES ⬇️
DISCOGRAPHY 2000-2026 (13CD)
 BIOGRAPHY 
Originally from Houston, Texas, Teresa is based in Los Angeles where she has assembled a group of some of the top LA based touring and session musicians in her band, The Rhythm Tramps. They have been working in the LA area and at blues festivals and clubs throughout the US and Europe for many years. For the last 12 years, the band has also been a favorite on Delbert McClinton's Sandy Beaches Blues Cruise.

She has released 8 CDs  - her most recent, COME ON HOME, was released in August, 2012 and has been getting regular airplay on stations around the world and charting for weeks at a time on the Roots Radio Charts (topping off at the #3 spot). It has been listed on many ‘best of’ lists for 2012 and has been receiving raves reviews from writers and DJs everywhere.
Her 2008 release, THE BOTTOM LINE, garnered her a nomination by the Blues Foundation for Contemporary Blues Female Artist of the Year and her 2010 CD, YOU KNOW YOU LOVE IT, was a finalist for an Independent Music Award (IMA).

She has performed live with such legendary artists as Levon Helm, Delbert McClinton, Eric Burdon, Marcia Ball, Tommy Castro, Big Al Anderson, Kirk Whalum, and many others. Her voice is featured on albums by Randy Newman, Eric Burdon, Tommy Castro, Bill Medley, and Walter Trout, among others. She has also sung for television and movie soundtracks; She and her band were featured in the Disney movie and soundtrack for "HOLES".

Teresa's band is an eclectic mix of Los Angeles based musicians who have worked with a wide range of artists including: Jimmy Reed, Eric Burdon, Jackson Browne, Taj Mahal, Bonnie Raitt, Jennifer Warnes, Was Not Was, Johnny Nash and many, many others.

NEW!
2005-The Rhythm Method @320
2019-Live! @FLAC
2023-Rose-Colored Glasses Vol.2 @FLAC
2023-With a Little Help from Her Friends @FLAC
2026-Bad at Being Good @FLAC

Mamie SMITH

⬇️ MAMIE SMITH ⬇️
DISCOGRAPHY 1920-2026 (20CD)
 BIOGRAPHY 
Mamie Smith (née Robinson; May 26, 1891 – August or September 16, 1946) was an American singer. As a vaudeville singer, she performed in multiple styles, including jazz and blues. In 1920, she entered blues history as the first African-American artist to make vocal blues recordings. Willie "The Lion" Smith (no relation) described the background of these recordings in his autobiography Music on My Mind (1964).

Robinson was born in Cincinnati, Ohio in 1891. The year of her birth has been given as 1883, but in 2018, researcher John Jeremiah Sullivan discovered her birth certificate stating she was born in Cincinnati in 1891.
When she was around age 10, she found work touring with the Four Dancing Mitchells, a white act. As a teenager, she danced in Salem Tutt Whitney's Smart Set. In 1913, she left the Tutt Brothers to sing in clubs in Harlem and married William "Smitty" Smith, a singer.

On February 14, 1920, Smith recorded "That Thing Called Love" and "You Can't Keep a Good Man Down" for the Okeh label in New York City, after African-American songwriter and bandleader Perry Bradford persuaded Fred Hager to break the color barrier in black music recording. Okeh Records recorded many iconic songs by black musicians. Although this was the first recording by a black blues singer, the backing musicians were all white. Hager had received threats from Northern and Southern pressure groups saying they would boycott the company if he recorded a black singer. Despite these threats, the record was a commercial success and opened the door for more black musicians to record.

Smith's biggest hits were the August 10, 1920 recordings of a set of songs written by Perry Bradford, including "Crazy Blues" and "It's Right Here for You (If You Don't Get It, 'Tain't No Fault of Mine)", again for Okeh Records, A million copies were sold in less than a year. Many were bought by African Americans, and there was a sharp rise in sales of "race records".Because of its historical significance, "Crazy Blues" was inducted into the Grammy Hall of Fame in 1994 and was selected for preservation in the National Recording Registry of the Library of Congress in 2005.

Although other African Americans had been recorded earlier, such as George W. Johnson in the 1890s, they were performing music that had a substantial following among European-American audiences. The success of Smith's record prompted record companies to seek to record other female blues singers and began the era of what is now known as classic female blues.

Smith continued to make popular recordings for Okeh throughout the 1920s. In 1924, she made three releases for Ajax Records, which, while heavily promoted, did not sell well. She made some records for Victor. She toured the United States and Europe with the band Mamie Smith & Her Jazz Hounds as part of Mamie Smith's Struttin' Along Review.

She was billed as "The Queen of the Blues", a billing soon one-upped by Bessie Smith, who was called "The Empress of the Blues". Mamie found that the mass medium of radio provided a means of gaining additional fans, especially in cities with predominantly white audiences. For example, she and several members of her band performed on KGW in Portland, Oregon in early May 1923 and received positive reviews.

Recording lineups of the Jazz Hounds included (from August 1920 to October 1921) Jake Green, Curtis Moseley, Garvin Bushell, Johnny Dunn, Dope Andrews, Ernest Elliot, Porter Grainger, Leroy Parker and Bob Fuller, and (from June 1922 to January 1923) Coleman Hawkins, Everett Robbins, Johnny Dunn, Herschel Brassfield, Herb Flemming, Buster Bailey Cutie Perkins, Joe Smith, Bubber Miley, and Cecil Carpenter.

While recording with the Jazz Hounds, she recorded as Mamie Smith and Her Jazz Band, comprising George Bell, Charles Matson, Nathan Glantz, Larry Briers, Jules Levy, Jr., Joe Samuels, together with musicians from the Jazz Hounds, including Hawkins, Fuller and Carpenter.

Annisteen ALLEN

⬇️ ARISTEEN ALLEN ⬇️
(Ernestine Letitia Allen)
DISCOGRAPHY 1946-2023 (16CD)
 BIOGRAPHY 
Annisteen Allen (November 11, 1920 – August 10, 1992) was an American blues and jazz singer.

Born Ernestine Letitia Allen in Champaign, Illinois, United States, her first recordings were made in 1945, and included "Miss Annie's Blues" and "Love for Sale." She sang with Big John Greer, Wynonie Harris, and Lucky Millinder. In 1951, Federal Records signed her to sing with Millinder's orchestra.

She scored other hits with Millinder such as "I'll Never Be Free", "Let It Roll", "I'm Waiting Just for You" (written by Carolyn Leigh and Henry Glover), "Moanin' the Blues", "I Want a Man," and "More, More, More." Federal's parent company, King Records, acquired her in 1953.

Her single, "Baby I'm Doin' It," released in 1953 appeared on the US Billboard R&B chart (No. 8).[4] After releasing the single, Apollo Records sued King for copyright infringement, and as a result King dropped her from its roster. She then signed with Capitol Records and did tours with Joe Morris and The Orioles] In 1955, she scored a hit in the US with "Fujiyama Mama." The track was later covered by Eileen Barton and then by Wanda Jackson.

Allen became a solo artist in the 1960s.

Annisteen Allen died in Harlem, New York City at age 71.

Josh Binney filmed her performing "Let it Roll" with Lucky Millinder in 1948. (Wikipedia)

Sugar Pie DeSANTO

⬇️ SUGAR PIE DeSANTO ⬇️
(Umpeylia Marsema Balinton)
DISCOGRAPHY 1962-2025 (23CD)
 BIOGRAPHY 
Sugar Pie DeSanto (born Umpeylia Marsema Balinton, October 16, 1935, Brooklyn, New York, United States) is an American-Filipino rhythm and blues singer of the 1950s and 1960s.


She was born to an African American mother and Filipino father. Her mother was a concert pianist. She spent most of her early life in San Francisco, California, where she moved with her family at a young age. As a girl she was friends with Etta James.


In 1955, DeSanto did some touring with The Johnny Otis Revue. Otis gave her her stage name. From 1959 to 1960, she toured with The James Brown Revue.


In 1960, DeSanto rose to national prominence when her single "I Want to Know" reached number four on Billboard's Hot R'n'B chart. She recorded the song with her husband Pee Wee Kingsley.

Soon thereafter her marriage to Kingsley fell apart, and DeSanto moved to Chicago and signed with Chess Records in 1962 as a recording artist and writer. Among her recordings at Chess were "Slip-in Mules", "Use What You Got", "Soulful Dress" (her biggest hit at Chess), and "I Don't Wanna Fuss". DeSanto participated in the American Folk Blues Festival tour of Europe in 1964, and her lively performances, including wild dancing and standing back flips, were widely appreciated.

In 1965 DeSanto began a writing collaboration with Shena DeMell. They produced the song "Do I Make Myself Clear", which DeSanto sang as a duet with Etta James, which reached the top 10. It was followed up by a 1966 DeSanto-James duet, "In the Basement". DeSanto's next song, "Go Go Power", did not chart, and DeSanto and Chess parted ways.

Sugar Pie DeSanto kept on writing songs and recorded for a few more labels without much success; she eventually moved back to the Bay Area, settling in Oakland.

Though it had often been said that her stage performances far surpassed her studio recordings, a full length live recording, Classic Sugar Pie, was not released until 1997.

DeSanto was given a Bay Area Music Award in 1999 for best female blues singer. In September 2008, she was given a Pioneer Award by the Rhythm and Blues Foundation. DeSanto received a lifetime achievement award from the Goldie Awards in November 2009.

NEW!
1962-Open Your Heart (1958-62) @FLAC
1997-All Blues, Sugar Pie Desanto @FLAC
1999-Classic Sugar Pie @FLAC
2015-The Feelin's Too Strong (Single) @FLAC
2021-Love so Strong @FLAC
2025-Sugar Pie's Soul Kitchen The Early Years @FLAC
COLLECTION
ESSENTIAL CLASSICS
Vol. 607-Sugar Pie Desanto @FLAC
COLLABORATION
PEE WEE KINGSLEY
2025-Let's Get Together (Single) @FLAC

Nora Jean WALLACE

⬇️NORA JEAN WALLACE⬇️
(3CD/DVD)
 BIOGRAPHY 
Elnora Jean "Nora Jean" Wallace (formerly Bruso) (born June 21, 1956) is an American Chicago and electric blues singer and songwriter. She has penned over 700 songs, and worked with Carl Weathersby and Dave Specter.

Fellow blues singer, Koko Taylor once commented, "Nora Jean sounds just like I did when I was her age. She is one of the new upcoming women that's singing the real blues. I know she is going to make it." Bruso was named one of the ten great women in Chicago blues by Chicago's Museum of Science and Industry. She has been nominated various times for a Blues Music Award.

Elnora Jean Wallace was born in Greenwood, Leflore County, Mississippi, United States, to a musical family, the seventh of 16 children of a Mississippi sharecropper.

Nora won the West Tallahatchie High School Talent Show for singing, and began to perform in other schools in her local area. In 1976, she relocated to Chicago, Illinois when she was 19 years old, and began singing with a group called Scottie and the Oasis. In 1982, Scottie died but she continued performing with other ensembles and three years later joined Jimmy Dawkins' band. Bruso recorded her debut single, "Untrue Lover" on Dawkins' own Leric label. In 1985, she contributed vocals on one track of Dawkin's Feel the Blues release, billed as Nora Jean Wallace. Dawkins band, including Bruso, appeared at the Chicago Blues Festival in 1989. Bruso also participated on Kant Sheck Dees Bluze (1991), another Dawkins release, this time on Earwig Records.

In 1992, she left the music industry to raise her two sons, but almost a decade later was tempted back into a recording studio following the promptings of Billy Flynn, another member of Dawkins' backing band. Bruso supplied four vocal tracks for Blues and Love (2002) and, the same year, appeared as a backing singer with Dawkins again at the Chicago Blues Festival. She met and married Mark Bruso in 2002. Later that year she recorded Nora Jean Bruso Sings the Blues, which was released in 2003 by Red Hurricane Records. Bruso performed again at the 2003 Chicago Blues Festival, this time under her own name, and toured in Europe.

In 2004, she was nominated for two W.C. Handy Awards (now known as Blues Music Awards), as 'Best New Artist' and 'Best Traditional Female Artist'. The same year, after having signed a recording contract with Severn Records, she released Going Back to Mississippi. This was more of a commercial success reaching number five on Living Blues radio chart and number one on XM satellite radio. In June 2004, she returned and performed on the main stage at the Chicago Blues Festival with her own band. Her ensemble at that time included Carl Weathersby (guitar), Bruce Beglin (bass) and Brian Lupo (guitar). These musicians, among others, played on Going Back to Mississippi.

Her live appearances continued and included the King Biscuit Blues Festival, Rawa Blues Festival, Notodden Blues Festival (2005), Briggs Farm Blues Festival (2008), Cape May Jazz Festival and Pocono Blues Festival. She appeared again at the Chicago Blues Festival in 2011. In 2011, the Chicago Sun-Times noted that her collaboration with Little Bobby for the latter's album, Good Blues, "... helped push Nora Jean to her seventh Blues Music Award nomination for 'Best Traditional Female Blues Performer'."

In June 2014, she appeared with Lurrie Bell's Chicago Blues Band in Pyla-sur-Mer, France. In July 2015, she performed at the Kingston Mines club in Chicago.

Bruso is currently based in La Porte, Indiana. In 2020, she released her latest album, Blues Woman (Wikipedia)

ODETTA

⬇️ ODETTA ⬇️
(Odetta Felious Holmes)
DISCOGRAPHY 1956-2021 (52CD)
 BIOGRAPHY 
        
Odetta Holmes (December 31, 1930 – December 2, 2008), known as Odetta, was an American singer, actress, guitarist, songwriter, and a civil and human rights activist, often referred to as "The Voice of the Civil Rights Movement".

Her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals.

An important figure in the American folk music revival of the 1950s and 1960s, she was influential to many of the key figures of the folk-revival of that time, including Bob Dylan, Joan Baez, Mavis Staples, and Janis Joplin.

Time included her song "Take This Hammer" on its list of the All-Time 100 Songs, stating that "Rosa Parks was her No. 1 fan, and Martin Luther King Jr. called her the queen of American folk music....

NEW!
1964-Odetta Sings of Many Things (LP) @FLAC
1967-The Best of Odetta (LP) @FLAC
1970-Odetta Sings (LP) @FLAC
1973-Odetta (LP) @FLAC24-96
1978-What Month Was Jesus Born (Live)(Single)
2000-Absolutely The Best @FLAC
2003-Odetta @FLAC
2005-Gonna Let It Shine (A Concert For the Holidays) @FLAC
2019-I Know Where I'm Going @FLAC

Jimmy WITHERSPOON

⬇️JIMMY WITHERSPOON⬇️
DISCOGRAPHY 1950-2022 (95CD/DVD)
 BIOGRAPHY 
Jimmy Witherspoon (August 8, 1920 – September 18, 1997) was an American jump blues singer.


James Witherspoon was born in Gurdon, Arkansas. He first attracted attention singing with Teddy Weatherford's band in Calcutta, India, which made regular radio broadcasts over the U.S. Armed Forces Radio Service during World War II.


Witherspoon made his first records with Jay McShann's band in 1945.

In 1949, recording under his own name with the McShann band, he had his first hit, "Ain't Nobody's Business," a song which came to be regarded as his signature tune.

In 1950 he had hits with two more songs closely identified with him: "No Rollin' Blues", "Big Fine Girl", as well as "Failing By Degrees" and "New Orleans Woman" recorded with the Gene Gilbeaux Orchestra which included Herman Washington and Don Hill on the Modern Records label.


These were recorded from a live performance on May 10, 1949 at a "Just Jazz" concert Pasadena, CA sponsored by Gene Norman. Another classic Witherspoon composition is "Times Gettin' Tougher Than Tough".


Witherspoon's style of blues - that of the "blues shouter" - became unfashionable in the mid-1950s, but he returned to popularity with his 1959 album, Jimmy Witherspoon at the Monterey Jazz Festival, which featured Roy Eldridge, Woody Herman, Ben Webster, Coleman Hawkins, Earl Hines and Mel Lewis, among others. He later recorded with Gerry Mulligan, Leroy Vinnegar, Richard "Groove" Holmes and T-Bone Walker.

In 1961 he toured Europe with Buck Clayton and returned to the UK on many occasions, featuring on a mid-sixties live UK recording Spoon Sings and Swings (1966) with tenor sax player Dick Morrissey's quartet. In 1970, he appeared on Brother Jack McDuff's London Blue Note recording To Seek a New Home together with British jazz musicians, including Terry Smith and Dick Morrissey.

In the 1970s he also recorded the album Guilty! (later released on CD as Black & White Blues) with Eric Burdon and featuring Ike White & the San Quentin Prison Band.

He then toured with a band of his own featuring Robben Ford and Russ Ferrante. A recording from this period, Spoonful, featured 'Spoon' accompanied by Robben Ford, Joe Sample, Cornell Dupree, Thad Jones and Bernard Purdie. He continued performing and recording into the 1990s.

Other performers with whom Witherspoon recorded include Jimmy Rowles, Earl "Fatha" Hines, Vernon Alley, Mel Lewis, Teddy Edwards, Gerald Wiggins, John Clayton, Paul Humphrey, Pepper Adams, Kenny Burrell, Harry "Sweets" Edison, Jimmy Smith, Long John Baldry, Junior Mance, Ellington bassist Jimmy Woode, Kenny Clarke, Gerry Mulligan, Jim Mullen, Count Basie, Van Morrison, Gene Gilbeaux and others.

Witherspoon died of throat cancer in Los Angeles, California on September 18, 1997.

NEW!
1958-Singin' The Blues (LP) @FLAC+
1959-HiFi Records R-594-X-45 (45rpm) @FLAC
1980-Paris (The Definitive Black & Blue Sessions) @FLAC
1995-Ain't Nothin' New About The Blues @FLAC
1997-Jimmy Witherspoon & Jay McShann @FLAC
2008-Late Night Jazz N' Blues Greats @FLAC
2009-Blues Masters Vol.11 @FLAC
2009-The Very Best Of @FLAC
2011-Six Foot Two Blues @FLAC
2012-Going to Chicago @FLAC
2012-The Legend Collection @FLAC
2014-Good Rockin' Tonight @FLAC
2014-Spoon's Life (Blues Power) @FLAC
2015-Sings the Blues @FLAC
2021-Jazz Spotlight @FLAC