Showing posts with label Blues Electric. Show all posts
Showing posts with label Blues Electric. Show all posts

Lucky PETERSON

⬇️ LUCKY PETERSON ⬇️
(Judge Kenneth Peterson)
DISCOGRAPHY 1984-2020 (40CD/DVD)
 BIOGRAPHY 
       
Lucky Peterson (born Judge Kenneth Peterson, December 13, 1964, Buffalo, New York) is an American musician who plays contemporary blues, fusing soul, R'n'B, gospel and rock and roll.

He plays guitar and keyboards. Music journalist Tony Russell, in his book The Blues - From Robert Johnson to Robert Cray has said, "he may be the only blues musician to have had national television exposure in short pants.

Peterson's father, bluesman James Peterson, owned a nightclub in Buffalo called The Governor's Inn.

The club was a regular stop for fellow bluesmen such as Willie Dixon. Dixon saw a five-year-old Lucky Peterson performing at the club and, in Peterson's words, "Took me under his wing." Months later, Peterson performed on The Tonight Show, The Ed Sullivan Show and What's My Line?. Millions of people watched Peterson sing "1-2-3-4", a cover version of "Please, Please, Please" by James Brown..... (Wikipedia)

NEW!
ANDY ALEDORT
2007-TĂȘte A TĂȘte @FLAC+
BERNARD ALLISON
2005-Triple Fret @ALAC

Michael_COLEMAN

⬇️ MICHAEL COLEMAN ⬇️
(8CD)
 BIOGRAPHY 
Michael Coleman (born June 24, 1956) is an American Chicago blues guitarist, singer, and songwriter.

He was voted one of the top 50 bluesmen in the world by Guitar World magazine. Coleman has released five solo albums to date, and variously worked with James Cotton, Aron Burton, Junior Wells, John Primer and Malik Yusef.

Coleman was born in Chicago, Illinois, United States. He began his musical career at a young age, playing alongside his father, Cleother "Baldhead Pete" Williams.

As a teenager he played with the Top 40 showband, Midnight Sun, and played the blues with Aron Burton and Johnny Dollar in Chicago's North Side. In 1975 he became a full-time professional musician, and toured Europe with Eddy Clearwater four years later.

This led him directly to work for James Cotton, and Coleman remained in his band for a period of almost ten years. Coleman backed Cotton on his Alligator Records album, Live From Chicago Mr Superharp Himself, and in total completed three albums with Cotton.

During the 1980s, Coleman backed Junior Wells, Buster Benton, and Jimmy Dawkins, and also worked with Syl Johnson, before embarking on a solo career in the early 1990s. His work was not without controversy, as in his 1987 song, "Woman Loves a Woman", he confessed he was in love with a woman, but then stated "She's in love with a woman too".

Coleman formed the Backbreakers as his backing ensemble in 1991. The European record label, Wolf Records, issued Coleman's Shake Your Booty in 1995.

His debut US release was Do Your Thing!, issued by Delmark Records in 2000. It featured a mixture of material encompassing blues, soul and funk, with cover versions of songs previously recorded by Jimmy Reed, Otis Redding and Isaac Hayes. It was noted that the quality of his guitar playing, compensated for a lightweight vocal accompaniment.

In 2006, Coleman led a string of Delmark rostered musicians on the Blues Brunch at the Mart album.

However a combination of his weight and diabetes severely affected his health, and his doctor advised a new lifestyle which saw Coleman lose 150 pounds. Coleman started his 2010 Chicago Blues Tour, by performing at Rosa's Lounge in Chicago.

NEW!
1997-You Can't Take What I Got @320
2008-Harmony Mill @FLAC

Tom PRINCIPATO

⬇️ TOM PRINCIPATO ⬇️
DISCOGRAPHY 1985-2023 (36CD/DVD)
 BIOGRAPHY 
Tom Principato has spent the last 40+ years as a guitarist and singer based in his hometown of Washington, D.C. In the 1970's, Tom was leader of the legendary band Powerhouse, an East Coast phenomenem who released an album "Night Life" to critical acclaim.


Tom also did a one year stint with Geoff Muldaur and recorded an album "I Ain't Drunk" (Hannibal/Island Records 1980) with the band Geoff Muldaur and His Bad Feet members of which included Andy Stein (Asleep At The Wheel), Mark Kazanoff (Earl King) and Sarah Brown (Lou Ann Barton).


Tom has also done brief stints with various acts including Billy Price And The Keystone Rhythm Band, Big Mama Thornton, Sunnyland Slim, James Montgomery, and a group called The Assassins with Jimmy Thackery, former guiatrist with The Nighthawks. Tom appears on two albums with the Assassins, "No Previous Record" (1986) and "Partners In Crime" (1987) which won a "Wammy Award".

In 1984 Tom began a solo career, notably recording a live album with the late Washington guitar legend Danny Gatton titled "Blazing Telecasters". This album was considered by The National Academy Of Recorded Arts And Sciences (NARAS) for a Grammy Nomination.
 
The band has toured clubs and festivals extensively in the U.S., Canada, and Europe including Norway, Sweden, Germany, Belgium, Holland, Switzerland, Austria, France, Slovenia, Finland, Italy, Sardegna, Corsica, Spain, Portugal, Majorca, Menorca, St. Croix, and even Greece and Turkey!

In addition to winning first place in the WHFS/Harmony Hut "Guitar Talent Hunt" (1980) Tom has won a total of 22 "WAMMY" Awards from the Washington Area Music Association. In 1986, "Smokin'!" won three Wammy Awards; Best Blues Album, Best Male Vocalist-Blues, and Best Blues Instrumentalist. In 1987 Tom won four Wammy Awards; Best Artist/Group-Blues, Best Male Vocalist-Blues, Best Instrumentalist-Blues, and Best Recording-Blues for The Assassins "Partners In Crime" album.

In 1988 Tom won three more Wammies; Best Blues Recording-"I Know What You're Thinkin'...", Best Artist/Group-Blues, and Best Instrumentalist-Blues. Tom also won Best Instrumentalist-Blues in 1992, 1995, 1996, 1999, 2000, and 2001, plus Best Male Vocalist-Blues in 1997.

In 1999 "Live & Kickin'" won Best Blues Recording, and Tom Principato Band won Best Blues Group. In 2003 "House On Fire" won Best Blues Recording. In 2006 "Guitar Gumbo" won best Blues Recording and Tom won Best Blues Vocalist. Tom Principato Band was also voted "Blues Act Of The Year"-1997 and "Blues Act Of The Month" for Oct. 1997 by the listeners of "Talkin' Blues Radio" Koln, Germany and Gitarre & Bass Magazine.

Since the 1990's Tom has signed endorsement agreements with Fender Electric Guitar Co., DR String Co., Seymour Duncan pickups, Roger Mayer effects pedals. (Roger Mayer personally made effects pedals and experimental electronic gadgets for Jimi Hendrix), and Soundseat: "The most comfortable music seat ever built."

Tom's 1992 Recording "Tip Of The Iceberg" was co-produced by Chuck Leavell, a keyboard player who has played with Eric Clapton, George Harrison, The Rolling Stones, The Allman Brothers Band, and Sea Level. Chuck also appears on Tom's "Really Blue" CD. In 1995 Tom's song "In The Clouds" was considered for another Grammy nomination.

In 2000 Tom's book "Open-String Guitar Chords" was published world-wide by Hal Leonard Corporation.

NEW!
2001-Fingers On Fire @FLAC
2012-Raising the Roof! (Remastered) @FLAC
2015-Live & Still Kickin'! @FLAC
2021-50 Years Live (2CD) @FLAC
2026-Twangin'! @FLAC

Pee Wee CRAYTON

⬇️ PEE WEE CRAYTON ⬇️
(Connie Curtis "Pee Wee" Crayton)
DISCOGRAPHY 1950-2023 (32CD)
 BIOGRAPHY 
Connie Curtis Crayton (December 18, 1914 – June 25, 1985), known as Pee Wee Crayton, was an American R'n'B and blues guitarist and singer.


Born in Rockdale, Texas, United States, there are several stories on how Crayton acquired the name Pee Wee. In a Living Blues article in the 1980s, he stated that friend and singer, Roy Brown, gave him the nickname. This makes sense since Brown had a way of making nicknames for many of his friends. It has also been said that his father gave him the nickname as a tribute to a local Texas piano player.

Crayton began playing guitar seriously after moving to California in 1935, and settling in San Francisco. While there he absorbed the music of T-Bone Walker, but developed his own unique approach. His aggressive playing contrasted with his smooth vocal style, and was copied by many later blues guitarists.

In 1948 he signed a recording contract with Modern Records. One of his first recordings was the instrumental, "Blues After Hours", which reached #1 in the Billboard R'n'B chart late that year. Its B-side, the pop ballad "I'm Still in Love With You", and the quicker "Texas Hop", were good examples of his work, but his style was of its time and Crayton found it difficult to progress.

He went on to record for many other record labels in the 1950s including Imperial in New Orleans, Louisiana, Jamie in Philadelphia and Vee-Jay in Chicago. It is thought he was the first blues guitarist to use a Fender Stratocaster, given to him by Leo Fender. Crayton largely faded from view until Vanguard unleashed his LP, Things I Used to Do, in 1971. After that his profile was raised somewhat; he toured and made a few more albums prior to his death.

A long time resident of Los Angeles, California, Crayton died there of a heart attack in 1985, and was interred in the Inglewood Park Cemetery.

NEW!
2015-Wild Blues Guitarist @FLAC
COLLABORATION
THE SUNSET BLUES BAND
1969-Funky Blues @FLAC+
VARIOUS ARTISTS
VA-Live At Small's Paradise (LP) @320

Muddy WATERS

⬇️ MUDDY WATERS ⬇️
(McKinley Morganfield)
DISCOGRAPHY 1942-2022 (371CD/DVD)
 BIOGRAPHY 
Born in Mississippi on April 4, 1915, McKinley Morganfield got the name Muddy Waters because he played in a creek as a boy.

He grew up immersed in the Delta blues, and was first recorded by archivist Alan Lomax. In 1943 he moved to Chicago and began playing in clubs.


A record deal followed, and hits like "I'm Your Hoochie Coochie Man" and "Rollin' Stone" made him an iconic Chicago blues man.


Waters, whose nickname came from his proclivity for playing in a creek as a boy, grew up in the cotton country of the Mississippi Delta, where he was raised principally by his grandmother on the Stovall plantation near Clarksdale, Miss. He taught himself to play harmonica as a child and took up guitar at age 17..... (Wikipedia)

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2012-You Shook Me The Chess Masters Vol.3 (1958-63) (2CD) @FLAC

Louisiana RED

⬇️ LOUISIANA RED ⬇️
(Iverson Minter alias Rocky Fuller)
DISCOGRAPHY 1952-2023 (64CD/DVD)
 BIOGRAPHY 
        
Louisiana Red (born Iverson Minter, March 23, 1932, Bessemer, Alabama, United States) is an African American blues guitarist, harmonica player, and singer, who has recorded more than 50 albums. He is best known for his song "Sweet Blood Call".


Minter lost his parents early in life; His mother died of pneumonia shortly after his birth, and his father was lynched by the Ku Klux Klan when he was five. He was brought up by a series of relatives in various towns and cities.

Red recorded for Chess in 1949, before joining the army. After leaving the army, he spent two years in the late 1950s playing with John Lee Hooker in Detroit. He recorded for Checker Records in 1952, billed as Rocky Fuller.

His first album, Lowdown Back Porch Blues, was recorded in New York with Tommy Tucker and released in 1963, with second album Seventh Son released later the same year..... (Wikipedia)

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1982-Sweet Blood Call (LP) @FLAC
2026-Hot Sauce (CD) @FLAC

Joey GILMORE

⬇️ JOEY GILMORE ⬇️
(Joshua Gilmore)
(9CD)
 BIOGRAPHY 
b. Joshua Gilmore, c. 1947, Ocala, Florida, USA. After teaching himself to play guitar at an early age, Gilmore began performing in public with a small band of like-minded youths.

At first, he played and sang in church, his repertoire largely religious music, but gradually incorporated secular music and thus widened his audience although he and his band’s club dates were usually in establishments they were too young to legally enter.

In the 60s, Gilmore moved to the southern end of his home state where he became a popular figure on the local blues scene and was often called upon to accompany visiting musicians.

He recorded from the mid-70s, releasing some EPs and there was also a late 80s album but it was not until the early 90s that his recordings began to appear regularly.

Gilmore has appeared at numerous blues and/or jazz festivals, including Fort Lauderdale, Hollywood, Mississippi Valley, Montreux, Riverwalk, Taiwan, and at the Blues Foundation’s International Blues Challenge in Memphis, Tennessee, where he appeared in 2006 to great acclaim, winning the Best Band division.

Among Gilmore’s sidemen in the mid-00s were Regi Oliver (saxophone/keyboard), George Caldwell (bass) and Dave Wooten (drums).

NEW!
1977-Joey Gilmore (LP) @320
1989-So Good To Be Bad (LP) @FLAC+
2006-The Ghosts of Mississippi Meet the Gods of Africa @FLAC+
2008-Bluesman @FLAC+
2012-Joey Gilmore (CD-Resmastered) @FLAC
2016-Respect The Blues @FLAC+

B.B. KING Studio

⬇️ B.B. KING ⬇️
(Riley B.King)
 STUDIO 
DISCOGRAPHY 1956-2026 (496CD/DVD)
 BIOGRAPHY 
        
Riley B.King was born in a small cabin on a cotton plantation outside of Berclair, near Indianola, Mississippi, to Albert King and Nora Ella Farr on September 16, 1925. In 1930, when King was four years old, his father abandoned the family, and his mother married another man.

Because Nora Ella was too poor to raise her son, King was raised by his maternal grandmother Elnora Farr in Kilmichael, Mississippi. King grew up singing in the gospel choir at Elkhorn Baptist Church in Kilmichael. At age 12, he purchased his first guitar for $15.00 although another reference indicates he was given his first guitar by his cousin, Bukka White.

In 1943, King left Kilmichael to work as a tractor driver and play guitar with the Famous St. John's Quartet of Inverness, Mississippi, performing at area churches and on WGRM in Greenwood, Mississippi.

In 1946, King followed his cousin Bukka White to Memphis, Tennessee. White took him in for the next ten months. However, King shortly returned to Mississippi, where he decided to prepare himself better for the next visit, and returned to West Memphis, Arkansas, two years later in 1948..... (Wikipedia)

NEW!
1990-Lucille Talks Back (CD) @FLAC
1999-The RPM Hits (1951-57) @FLAC+
2008-Saga All Stars-Sweet Little Angel (1954-57) Selected Singles @FLAC
2013-The Indispensable (1949-62) (3CD) @FLAC
2024-3 O'clock Blues_The Early Years (1951-62) @FLAC
2025-King of Strings @FLAC24-192
2026-Lucille Forever @FLAC
2026-Lucille Talks Back 50th Anniversary @FLAC24-48
2026-Midnight Memories in Stereo @FLAC24-192
SAGA BLUES
Vol.48-B.B. King-The West Coast Years (1954-58) @FLAC

B.B. KING (LIVE)

⬇️ B.B. KING ⬇️
(Riley B.King)
 LIVE 
DISCOGRAPHY 1964-2026 (496CD/DVD)
 BIOGRAPHY 
        
Riley B.King was born in a small cabin on a cotton plantation outside of Berclair, near Indianola, Mississippi, to Albert King and Nora Ella Farr on September 16, 1925. In 1930, when King was four years old, his father abandoned the family, and his mother married another man.

Because Nora Ella was too poor to raise her son, King was raised by his maternal grandmother Elnora Farr in Kilmichael, Mississippi. King grew up singing in the gospel choir at Elkhorn Baptist Church in Kilmichael. At age 12, he purchased his first guitar for $15.00 although another reference indicates he was given his first guitar by his cousin, Bukka White.

In 1943, King left Kilmichael to work as a tractor driver and play guitar with the Famous St. John's Quartet of Inverness, Mississippi, performing at area churches and on WGRM in Greenwood, Mississippi.

In 1946, King followed his cousin Bukka White to Memphis, Tennessee. White took him in for the next ten months. However, King shortly returned to Mississippi, where he decided to prepare himself better for the next visit, and returned to West Memphis, Arkansas, two years later in 1948..... (Wikipedia)
NEW!
2023-Newport Folk Festival 1989 @FLAC
2024-Hollywood, Jan '72 @FLAC
2025-Lead Me Through The Night (Live Stockholm '68) @FLAC+

Anthony 'Big A' SHERROD

(4CD)
 BIOGRAPHY 
Current Clarksdale blues master and showman, Anthony "Big A" Sherrod.
“Big A” is a current bluesman that performs regularly in town.  His natural showmanship that moves and plays with tremendous fun and passion personifies that one can hear authentic music in Clarksdale today… that is as good as it ever was historically.  At present Anthony has a weekly residence at Red’s Lounge, the famous authentic juke joint in Clarksdale’s historic downtown Arts & Culture District.

Like his deep delta blues forefathers,  young Anthony’s introduction to music was found in the church.  His father, E.J. Johnson, was a gospel singer that performed with The Golden Stars gospel group.  By age 6, Anthony started playing, and he hasn’t stopped since.  He is professionally proficient on bass and guitar,  and he also plays drums, keyboards, and is the lead vocalist in his current band, Big A and the Allstars.

Anthony is also a wonderful example of the success of the blues music education after-school program at the Delta Blues Museum.   There Anthony studied under bluesman, Mr. Johnnie Billington, where he not only developed a keen appreciation for the blues and it’s historic Clarksdale legacy, but he also learned to play and craft his music through Billington’s experienced mastery, where he tutored young Anthony with a strict practice schedule of both music development… and a focus on learning important life lessons as well.

As a young bass player, Anthony took the stage with Buddy Guy in Clarksdale.  He regularly played at Delta Blues Museum events and held a Thursday gig at an important former Clarksdale venue, Sarah’s Kitchen.  He has also appeared in a documentary film, played overseas, and regularly performs throughout the region and at festivals in the Mississippi Delta and across the country.

J.B. HUTTO

⬇️ J.B. HUTTO ⬇️
(Joseph Benjamin Hutto)
DISCOGRAPHY 1967-2004 (23CD)
 BIOGRAPHY 
J.B. Hutto (April 26, 1926 – June 12, 1983) was an American blues musician. Hutto was influenced by Elmore James, and became known for his slide guitar work and declamatory style of singing. He was inducted into the Blues Hall of Fame two years after his death.


Joseph Benjamin Hutto was born in Blackville, South Carolina, United States, the fifth of seven children. His family moved to Augusta, Georgia when Hutto was three years old.


His father, Calvin, was a preacher and Hutto, along with his three brothers and three sisters, formed a gospel group called The Golden Crowns, singing in local churches. Hutto's father died in 1949, and the family relocated to Chicago. Hutto served as a draftee in the Korean War in the early 1950s, driving trucks in combat zones.

In Chicago, Hutto took up the drums and played with Johnny Ferguson and his Twisters. He also tried the piano before settling on the guitar and playing on the streets with the percussionist Eddie 'Porkchop' Hines. After adding Joe Custom on second guitar, they started playing club gigs, and harmonica player George Mayweather joined after sitting in with the band.

Hutto named his band The Hawks, after the wind that blows in Chicago. A recording session in 1954 resulted in the release of two singles on the Chance label and a second session later the same year, with the band supplemented by pianist Johnny Jones, produced a third.

Later in the 1950s Hutto became disenchanted with music, and gave it up to work as a janitor in a funeral home after a woman broke his guitar over her husband's head one night. He returned to the music industry in the mid 1960s, with a new version of the Hawks featuring Herman Hassell on bass and Frank Kirkland on drums.

His recording career resumed with, first, a session for Vanguard Records released on the compilation album Chicago/the Blues/Today! Vol.1, and then albums for Testament and Delmark. The 1968 Delmark album, Hawk Squat!, which featured Sunnyland Slim on organ and piano, and Maurice McIntyre on tenor saxophone, is regarded as his best work on album up to this point.

After Hound Dog Taylor died in 1975, Hutto took over his band the Houserockers for a time, and in the late 1970s he moved to Boston and recruited a new band which he called the New Hawks, with whom he recorded further studio albums for the Varrick label. His 1983 Varrick album Slippin' & Slidin', the last of his career and later reissued on CD as Rock With Me Tonight, has been described as "near-perfect".

Hutto returned to Illinois in the early 1980s, where he was diagnosed with cancer. He died in 1983, at the age of 57, in Harvey. He was interred at Restvale Cemetery, Alsip, Illinois.

In 1985, the Blues Foundation inducted Hutto into its Hall of Fame. His nephew, Lil' Ed Williams (of Lil' Ed and the Blues Imperials) has carried on his legacy, playing and singing in a style close to his uncle's.

A "J.B. Hutto" model guitar is often used to refer to a mid-1960s, red, Montgomery Ward Res-O-Glas Airline guitar. Although he was not a paid endorser, Hutto made the guitar famous by appearing with it on the cover of his Slidewinder album.

NEW!
1980-Live At Sandy's Jazz Revival Vol.1 (LP) @FLAC

Duke ROBILLARD

⬇️ DUKE ROBILLARD ⬇️
(Michael John "Duke" Robillard)
DISCOGRAPHY 1983-2026 (86
CD/DVD)
 BIOGRAPHY 
         
Michael John "Duke" Robillard (born October 4, 1948, Woonsocket, Rhode Island) is an American blues musician.


After playing in various bands and working for the Guild Guitar Company, he co-founded the band Roomful of Blues with pianist Al Copley in 1967. He has also been a member of The Fabulous Thunderbirds which included Kim Wilson, replacing Jimmie Vaughan on guitar.


Also experienced in jazz, swing, and rock and roll, aside from his preferred blues music, Robillard has been generally regarded as a guitar player keeping the blues style of T-Bone Walker.


He has recorded with artists such as Jimmy Witherspoon, Snooky Prior, Jay McShann, Hal Singer, Pinetop Perkins, Joe Louis Walker, Todd Sharpville, Tom Waits and Bob Dylan. In the summer of 2006, Robillard accompanied Tom Waits on a tour of the Southern United States.

Robillard has contributed to a large number of musicians' recordings in his career. Some of the most famous have been mentioned, but others include artists as diverse as Wham! and Jimmy Witherspoon.....

NEW!
2009-Tales From The Tiki Lounge @FLAC+
2022-Duke's Mood (Live In Bremen 1985 & 2008 (3CD)  @FLAC

John PRIMER

⬇️ JOHN PRIMER ⬇️
DISCOGRAPHY 1991-2026 (38CD/DVD)
 BIOGRAPHY 
        
John Primer (born March 3, 1945, Camden, Mississippi, United States) is an American Chicago blues and electric blues singer and guitarist.

He played guitar at Theresa's, a club in Chicago, between 1974 and 1980. He was influenced by Muddy Waters' former sideman, Sammy Lawhorn, who taught him to play slide guitar. He joined the Chicago Blues All-Stars of Willie Dixon in 1979, then the Muddy Waters's band until the latter's death in 1983. Then he joined the Teardrops of Magic Slim and began a solo career on Wolf Records.

In 1995 he released, The Real Deal, with songwriting and singing techniques showing the influence of both Dixon and Slim.

In 2013, Primer was the special guest on Shawn Holt & the Teardrops' debut recording, Daddy Told Me. Shawn Holt being Magic Slim's son.

In 2013 and 2014, Primer had a nomination for a Blues Music Award in the 'Traditional Blues Male Artist' category.
NEWS
1997-Keep On Lovin' The Blues (Warner) @FLAC

Mel BROWN

⬇️ MEL BROWN ⬇️
DISCOGRAPHY 1967-2011 (16CD)
 BIOGRAPHY 
Best known for his decade-plus stint in support of Bobby "Blue" Bland, Mel Brown channeled elements of soul, funk, and jazz to create one of the most distinctive guitar styles in contemporary blues.

Born October 7, 1939, in Jackson, MS, Brown received his first guitar at the age of 14 while battling meningitis, spending hours each day studying the music of idols like B.B. King and T-Bone Walker from his sickbed. His father, John Henry "Bubba" Brown, a gifted amateur guitarist who often backed Delta legend Tommy Johnson, was another seminal influence.

After recovering from his illness, Brown joined the Duke Juniors, a teenaged spinoff of the popular local society band the Duke Huddleston Orchestra. Word of his prodigious abilities spread quickly throughout the region, and at 15, he played a series of gigs backing the great Sonny Boy Williamson. After a brief stint in Los Angeles, Brown returned to Jackson in 1955, honing his skills under Huddleston before permanently settling in L.A. three years later.

After a six-month stretch with West Coast R&B singer Jimmy Beasley, Brown spent two years backing R&B great Johnny Otis. In late 1960, he toured with the Olympics, followed by a two-year tour of duty with the great Etta James. Most significantly, while touring with James he swapped his Les Paul for a hollow-bodied Gibson ES-175, later crediting the instrument for the warm, rich tone that set him apart from rival guitarists.

Funky Town By 1963 the grind of touring forced Brown off the road. He returned to L.A. and resumed his collaboration with Otis, enjoying an extended residency at the Club Sands. He also launched a session career, playing on records by everyone from Bobby Darin to Bill Cosby as well as T-Bone Walker's Funky Town LP. His contributions so impressed ABC/Impulse! producer Bob Thiele that he invited Brown to cut his own album for the label: 1967's Chicken Fat, a wonderfully greasy blues-funk outing pairing Brown with fellow guitarist Herb Ellis, remains a cult classic.

A series of impressive LPs including The Wizard, I'd Rather Suck My Thumb, and Big Foot Country Gal followed in quick succession before Brown joined Bland in 1971, appearing on the singer's classic California Album two years later. During his stint with Bland, the guitarist also moonlighted behind blues legends John Lee Hooker, Lightnin' Hopkins, and Roy Brown, and in 1976 he relocated to Nashville, where he maintained an even busier session schedule than in Los Angeles.

Upon resuming his collaboration with Bland, Brown made the decision to temporarily abandon guitar in favor of the piano. He remained with the singer until 1982, putting his performing career on hiatus and moving to remote northeast Mississippi in an attempt to escape the music business.

Cold SnapBrown resurfaced in 1983 as a member of the house band at the legendary Austin, TX, blues joint Antone's. In the years to follow, he backed everyone from Buddy Guy to Stevie Ray Vaughan to Clifton Chenier. In 1986, he accepted Albert Collins' offer to join his band the Icebreakers, recording the acclaimed LP Cold Snap before returning to Antone's.

In 1989, he resumed his solo career with If It's All Night, It's All Right, released on the club's eponymous label. A few months later Brown headlined the Kitchener, Ontario, venue the Pop-the-Gator Club, finding the experience so much to his liking that he relocated to Canada in early 1990. 

There he formed a new band, the Homewreckers, and steadily toured the southern Ontario nightclub circuit, finally reappearing on wax in 1998 as a guest on Snooky Pryor's Can't Stop Blowin'. Brown's Electro-Fi label debut, Neck Bones & Caviar, followed a year later, winning the W.C. Handy Award for Blues Comeback of the Year. With 2000's co-headlined Double Shot!, he and Pryor earned a W.C. Handy nomination for Traditional Blues Album of the Year. The concert disc Homewreckin' Done Live followed a year later. After another five-year layoff from recording, Brown issued Blues: A Beautiful Thing in early 2006.

Note: Don't confuse him again with another guy named Mel Brown—this one's a jazz drummer!! Since most of these are stage names, is it really that hard to come up with an unique and original name?

NEW!
1967-Chicken Fat  [LP) @FLAC24-192
1973-Eighteen Pounds Of Unclean Chitlins ....(LP) @FLAC+
1991-Under Yonder Mel Brown Live at Pop the Gator @FLAC+
2005-Homewreckin' Done Live @FLAC+