⬇️ JOSH ALAN ⬇️
(2CD)
BIOGRAPHY
Son of author-playwright Bruce Jay Friedman and acting coach Ginger Howard
Friedman, Josh Alan grew up in Glen Cove, Long Island, Great Neck and New
York City, the eldest of three boys. In 1962, Josh began first grade at
South School, then the last segregated school on Long Island.
He was the sole white student. His years attending South School at the flashpoint of the African-American Civil Rights Movement, the childhood friendships forged there and his occasionally life-threatening adventures in Long Island's forgotten Black shantytowns subsequently formed the basis of his "autobiographical novel" Black Cracker. (An early version of Black Cracker appeared in Penthouse in August, 1978.)
He was the sole white student. His years attending South School at the flashpoint of the African-American Civil Rights Movement, the childhood friendships forged there and his occasionally life-threatening adventures in Long Island's forgotten Black shantytowns subsequently formed the basis of his "autobiographical novel" Black Cracker. (An early version of Black Cracker appeared in Penthouse in August, 1978.)
Friedman has defined his creative identity as "51% guitar and 49%
writing."
"The guitar has always been the most important thing in the world to me,"
Friedman told the Dallas Times Herald in 1991. "It's a little bit more
important than the writing because I've been doing it longer. The writing
seemed like a sidetrack or something when I wasn't able to get my
[expletive] together."
Though Friedman began playing guitar at 9, a pitching injury at 14 cost
Friedman the use of his right arm for two years. "I figured if I ever had
the honor of being able to play again, no one's going to pull me away from
it." His time as a student with journeyman jazz guitarist Joe Monk in
particular left a deep impression on the young musician.
Friedman spent his last five years in New York working as a guitarist
with the busy show band City Limits, featuring Richard Lanham, former
vocalist for The Drifters.
Following his move to Dallas in 1987, Friedman began recording and
performing as a solo artist in earnest. He also recorded and performed
extensively with Sara Hickman, and produced Dallas’ KERA 90.1 Sound
Sessions. Billed as “Josh Alan” he barnstormed the state of Texas for 20
years, rocking whole arenas with his Guild D-40 and earning three Dallas
Observer Music Awards for Best Acoustic Act.
He was noted for his live use of acoustic feedback, the Maestro Echoplex
and surf instrumentals, as well as an acoustic medley of Black
exploitation movie soundtracks. He has released four albums: Famous &
Poor, The Worst! (a musical based on the life and career of "Worst
Director of All Time" Ed Wood), Blacks 'n' Jews (the title of which became
a documentary on Josh’s life) and Josh Alan Band.
Josh Alan has recorded and/or played with Sara Hickman, Keb' Mo', Kinky
Friedman, Bugs Henderson, Phoebe Legere, and was a perennial opener in
Texas for dozens of rock and blues acts, including Johnny Winter, Clarence
"Gatemouth" Brown, War, Huey Lewis and the News, Bad Company, Mitch Ryder,
Michael Nesmith and Wanda Jackson.

