Showing posts with label Blues. Show all posts
Showing posts with label Blues. Show all posts

Various Artists (N-S)

⬇️ VARIOUS ARTISTS ⬇️
(N-S)
FROM                                       TO

NEW!
VA-R&B in DC (1940-60) Vol.14 @320
VA-Ragged But Right- Great Country String Bands Of The 1930's @FLAC
VA-Ramblin On My Mind @FLAC
VA-Rare Blues Of The Twenties (1927-30) (3LP) @FLAC
VA-Raw Blues Vol. 2 (2 CD) @320
VA-Red River Blues - Shreveport Blues from RAM Records @FLAC
VA-Reefer Madness A Collection of Vintage Drug Songs (1927-45) @FLAC
VA-Rhythm & Blues (LP 1970 Mono) UNCLE @320
VA-Rhythm & Blues Goes Rock 'n' Roll (3CD) @FLAC
VA-Rhythms Chess Selection @FLAC
VA-Riff Ridin'@FLAC
VA-Rock And Roll Blues @128 * 
VA-Rockin' Memphis (4CD) @320
VA-Rockin' The Blues @FLAC
VA-Rockin' With The Rhythm & Blues @FLAC
VA-Rollin' And Tumblin' (2025, 3CD) @FLAC
VA-Roots Of Rock (1927-37) @320
VA-Rough Treatment the Job Records Story (2CD) @320
VA-Rural Blues (3CD) @FLAC
* Looking for a better Bitrate

Martin SCORSESE

⬇️ MARTIN SCORSESE ⬇️
Presents:
 THE BLUES 
COLLECTION (36 CD/DVD)
 REVIEW 
This is by far the best and most comprehensive introduction to recorded blues ever assembled, drawing styles, record labels, and eras together with the efficiency of a spider’s web.

These five discs-tied to the hit-and-miss PBS film series Martin Scorsese Presents the Blues-embrace field hollers, early queens Ma Rainey and Bessie Smith, the music’s first composer W.C. Handy, Delta slide guitarists, string bands, piano barrelhousers, jazz geniuses Count Basie and Lionel Hampton, Texas hotshots, lyric poets Percy Mayfield and Willie Dixon, Chicago powerhouses from Muddy Waters to Buddy Guy,

Howlin’ Wolf and howling white boys, soulkittens Etta James and Janis Joplin, juke joint brawlers like Hound Dog Taylor, African torchbearer Ali Farka Toure, modern guitar heroes Stevie Ray Vaughan and Luther Allison, and even recent hit-makers Peggy Scott-Adams and Susan Tedeschi. And that’s just a smidgen of the talents represented across more than 100 cuts.

Nonetheless, there are grave omissions in disc five, which focuses on contemporary blues. The raw electric sound of present-day Mississippi, embodied by R.L. Burnside and other artists on the Fat Possum label, has done much to open the ears of college-age audiences and should be included. Also absent are the music’s most important contemporary innovators: Afro-blues fusionist Corey Harris, psychedelic folk bluesman Otis Taylor and rap-blues proselytizer Chris Thomas King. Still, it’s obvious this collection is a work of devotion and intelligence as well as commerce.

NEW!
MSPB-The Best of the Blues @FLAC

Taj MAHAL

⬇️ TAJ MAHAL ⬇️
(Henry Saint Clair Fredericks)
DISCOGRAPHY 1966-2026 (109CD/DVD)
 BIOGRAPHY 
         
Henry Saint Clair Fredericks (born May 17, 1942), who uses the stage name Taj Mahal, is an American blues musician. He often incorporates elements of world music into his works. A self-taught singer-songwriter and film composer who plays the guitar, piano, banjo and harmonica (among many other instruments), Mahal has done much to reshape the definition and scope of blues music over the course of his almost 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa and the South Pacific.

Born Henry Saint Clair Fredericks, Jr. on May 17, 1942, in Harlem, New York, Mahal grew up in Springfield, Massachusetts. Raised in a musical environment, his mother was a member of a local gospel choir and his father was a West Indian jazz arranger and piano player. His family owned a shortwave radio which received music broadcasts from around the world, exposing him at an early age to world music.

Early in childhood he recognized the stark differences between the popular music of his day and the music that was played in his home. He also became interested in jazz, enjoying the works of musicians such as Charles Mingus, Thelonious Monk and Milt Jackson. His parents came of age during the Harlem Renaissance, instilling in their son a sense of pride in his West Indian and African ancestry through their stories.....

NEW!
1972-Recycling The Blues & Other Related Stuff @FLAC+
1974-Mo' Roots @FLAC+
1981-The Best Of Taj Mahal Vol.1 @FLAC
1987-The Collection @FLAC
1987-The Natch'l Blues (LP) @FLAC
1993-The Taj Mahal World Music @FLAC
1994 -An Evening Of Acoustic Music @FLAC+
1998-Sacred Island @FLAC+
2000-Best Of The Private Years @FLAC
2003-Mkutano Meets The Culture Musical Club of  Zanzibat @FLAC+
2005-The Essential Taj Mahal (2CD) @FLAC
2012-Playlist The Very Best Of Taj Mahal @FLAC
2015-Brothers, Music Fuh Ya' (Musica Para Tu), Evolution (2CD)  @FLAC
2024-Swingin' Live At The Church In Tulsa @FLAC
2026.06.07-Chicago Blues Festival, Millennium Park, Chicago, IL @FLAC16-48
VARIOUS
VA-Mumtaz Mahal @FLAC+

LEADBELLY

⬇️ LEADBELLY ⬇️
(Huddie William Ledbetter)
DISCOGRAPHY 1935-2020 (85D/DVD)
 BIOGRAPHY 
       
Huddie William Ledbetter (January 20, 1888 – December 6, 1949) was an iconic American folk and blues musician, notable for his strong vocals, his virtuosity on the twelve-string guitar, and the songbook of folk standards he introduced.


He is best known as Lead Belly. Though many releases list him as "Leadbelly", he himself spelled it "Lead Belly". This is also the usage on his tombstone, as well as of the Lead Belly Foundation. 


In 1994 the Lead Belly Foundation contacted an authority on the history of popular music, Colin Larkin, editor of the Encyclopedia of Popular Music, to ask if the name "Leadbelly" could be altered to "Lead Belly" in the hope that other authors would follow suit and use the artist's correct appellation.

NEW!
COLLECTION: SAGA BLUES
Vol.01-Leadbelly-Blues & Folk Singer @ALAC

Johnny RAWLS

⬇️ JOHNNY RAWLS ⬇️
DISCOGRAPHY 1996-2026 (27CD)
 BIOGRAPHY 
Singer, songwriter, guitarist, arranger and producer Johnny Rawls draws on the 1950s' and '60s' deep soul-blues tradition in his guitar playing, yet his lyrics and singing are completely 1990s.

Rawls got his early musical education from his grandfather, John Paul Newson, a blind guitarist who played around the Hattiesburg area. Rawls began playing clarinet and saxophone in third grade, and by the time he was in his teens, the band instructor hired Rawls to play in his band.

As a teen, Rawls had the opportunity to back singers like Joe Tex and Z.Z. Hill. He began playing guitar at age 12, learning as much as he could from players in other area blues bands.

After leaving Mississippi for a year when he was 17, he returned, determined to form his own blues/soul ensemble.

They found work backing up touring musicians and by the mid-1970s, Rawls joined O.V. Wright's band, working with Wright until his death in 1980. After Wright's death, the band continued to perform his music for 13 years as the O.V. Wright Band, opening shows for people like B.B. King, Little Milton Campbell and Bobby Bland.

In the mid-1980s, the O.V. Wright Band also toured with Little Johnny Taylor, Latimore, B.B. Coleman, Blues Boy Willie, and others, including Lynn White.

Working with guitarist L.C. Luckett, Rawls recorded 45 rpm singles for his own label, Touch Records, and continued working around the South, touring regionally with soul-blues singers. In 1994, Rawls and Luckett recorded their first album, Can't Sleep at Night, for the Rooster Blues label.

In 1995, Rawls parted with Luckett to lead a new group and found a record company that was interested, the London-based JSP label. Here We Go, his debut for JSP Records, was recorded in 1996, and since then, he's followed it up with Louisiana Woman, a 1997 release.

Rawls carries on the soul-blues tradition of people like O.V. Wright, Otis Redding and Z.Z. Hill in his singing style and guitar playing, but his arrangement, production and lyrics are steeped in the 1990s techniques and subject matter. Rawls is a true soul-blues renaissance man and with any luck.

NEW!
1997-Louisiana Woman @FLAC+
2013-Remembering O. V. @FLAC
2014-From The Soul @FLAC
2016-Tiger in a Cage @FLAC+
2017-Waiting for the Train @FLAC+
2018-I'm Still Around @FLAC+
2019-I Miss Otis Clay @FLAC+
2022-Going Back To Mississippi @FLAC
2023-Walking Heart Attack @FLAC
2025-Make Them Dance @320
2026-Tribute To Soul @FLAC24-48
OTIS CLAY
2014-Soul Brothers @FLAC+

Seasick STEVE

⬇️ SEASICK STEVE ⬇️
(Steven Gene Wold)
DISCOGRAPHY 2004-2018 (43CD/DVD)
 BIOGRAPHY 
        
Steven Gene Wold (born 1940/1941), commonly known as Seasick Steve, is an American blues musician. He plays mostly personalized guitars and sings, usually about his early life doing casual work.

Wold was born in Oakland, California. When he was four years old, his parents split up. His father played boogie-woogie piano and Wold tried to learn when he was five or six, without success. At the age of eight, he was taught to play the guitar by K.C. Douglas, who worked at his grandfather's garage, and later realised that he had been taught the blues. Douglas wrote the song "Mercury Blues" and had played with Tommy Johnson in the early 1940s.

In 2000 Wold gave his age as 50. Wold left home at 13 to avoid abuse at the hands of his stepfather, and lived rough and on the road in Tennessee, Mississippi and elsewhere, until 1973. He would travel long distances by hopping freight trains, looking for work as a farm laborer or in other seasonal jobs, often living as a hobo.

At various times, Wold worked at a carnival, as a cowboy and as a migrant worker. Wold described this time of his life by saying "Hobos are people who move around looking for work, tramps are people who move around but don't look for work, and bums are people who don't move and don't work. I've been all three."..... (Wikipedia)

NEW:
2026-The Last Season of America (Single) @FLAC24

Ted HAWKINS

⬇️ TED HAWKINS ⬇️
(9CD)
 BIOGRAPHY 
Ted Hawkins (October 28, 1936 – January 1, 1995) was an American singer-songwriter born in Biloxi, Mississippi. He was an enigmatic figure for most of his career. He split his time between his adopted hometown of Venice Beach, California, where he was a mostly anonymous street performer, and Europe and Australia, where he and his songs were better known and well received in clubs and small concert halls.

Hawkins was born into a poor family in Mississippi and had a difficult early life. He was sent to a reform school when he 12 years old. As a teenager he drifted hitch hiking, and stole his way across the country for the next dozen years, earning several stays in prison including a three-year stint for stealing a leather jacket as a teenager.

Along the way, he picked up a love of music and a talent for the guitar. "I was sent to a school for bad boys called Oakley Training School in 1949", he wrote in a brief piece of autobiography. "There I developed my voice by singing with a group that the superintendent's wife had got together". After reform school, he ended up in the state penitentiary and was released at 19. "Then I heard a singer whose name was Sam Cooke. His voice did something to me."

For the next ten years or so he drifted in and out of trouble around the country, living in Chicago, Buffalo, Philadelphia, and Newark. In the middle of the mid-1960s folk music boom Hawkins set out for California to try for a professional singing career. He recorded several tunes without commercial success, worked at odd jobs, and took up busking along the piers and storefronts of Venice Beach as a way to supplement his income.

Hawkins made ends meet by developing a small following of locals and tourists who would come to hear this southern black man, sitting on an overturned milk crate, play blues and folk standards and a few original songs in his signature open guitar tuning and raspy vocal style. Hawkins claimed the rasp in his voice came from the damage done by years of singing in the sand and spray of the boardwalk.

A series of record producers and promoters would "discover" Hawkins over the years, only to be thwarted by circumstance and Hawkins's unconventional life. The first of these was the musicologist and blues producer Bruce Bromberg, who approached Hawkins about a recording contract in the early 1970s. Hawkins tentatively agreed and recorded some dozen songs for Bromberg, but again he got in legal trouble and spent much of the next decade in prison and addicted to heroin.

Bromberg lost contact until 1982, when he re-located Hawkins and got him to agree to release the previously recorded songs as an album, Watch Your Step, which was released by Rounder Records. This debut album was a commercial failure but received rave reviews (notably a rare five-star rating in Rolling Stone). Following the release of the album, Hawkins dropped out of sight again for a time, reuniting with Bromberg in 1985 for a second album, Happy Hour.

This album featured more original songs by Hawkins and was again ignored in the U.S.; however it won acclaim and sales in Europe. Andy Kershaw encouraged Hawkins to come to the United Kingdom, and he moved to Bridlington in 1986 and enjoyed his first taste of musical success, touring Europe and Asia. In 1990, he was deported back to the United States, under "unpalatable" circumstances, by the British Government..... (Wikipedia)

NEW!
1982-Watch Your Step @FLAC+
1986-On The Boardwalk (The Venice Beach Tapes) (MISSING! Looking For ...)
1995-Songs from Venice Beach @320
1998--Love You Most of All More Songs from Venice Beach @FLAC+
2001-Nowhere to Run @FLAC

Albert CASTIGLIA

⬇️ ALBERT CASTIGLIA ⬇️
DISCOGRAPHY 2002-2026 (18CD)
 BIOGRAPHY 
Albert Castiglia (born August 12, 1969) is an American blues singer, songwriter and guitarist. Castiglia has variously worked alongside Junior Wells, Sandra Hall, Aron Burton, Pinetop Perkins, Melvin Taylor, Sugar Blue, Phil Guy, Ronnie Earl, Billy Boy Arnold, Ronnie Baker Brooks, John Primer, Lurrie Bell, Jerry Portnoy, Larry McCray, Eddy Clearwater and Otis Clay.

AllMusic noted that "Castiglia combines hardcore blues with soul, rock, and country flavors for a sound that will appeal to rockers and blues purists alike." His vocal style has been compared to that of Van Morrison.

Castiglia (pronounced "ka-steel-ya") was born in New York City, United States, to a Cuban mother and an Italian father. He moved with his family to Miami, Florida, when he was five years old and commenced learning the guitar seven years later.

Castiglia joined the Miami Blues Authority in 1990 and was named the 'best blues guitarist in Miami' by the Miami New Times in 1997. Following a college education, Castiglia worked for four years for the state of Florida as a social services investigator. Discovered singing by Junior Wells in 1996, he joined his touring band and worked as Wells' lead guitarist until the latter's death in 1998. By now living in Chicago, Illinois, Castiglia found work with Sandra Hall and toured with himself until the end of the century. In 2002, Castiglia joined David Shelley in the Alligator Alley Allstars, a "blues and roots super group" at Alligator Alley, a "Native Florida" restaurant and live music venue (named for the nearby swamp highway).

His first solo work, Burn, was self-released in 2004, followed in 2006 with The Bittersweet Sessions, where he collaborated with Graham Wood Drout. The New Jersey–based Blues Leaf Records then issued Castiglia's 2006 album, A Stone's Throw. It contained his versions of the Junior Wells song, "Hoodoo Man Blues" and The Shadows' "The Rise and Fall of Flingle Bunt". In April 2008, These Are the Days was released, which included Castiglia's tribute to his former employer Junior Wells called "Godfather of the Blues", as well as cover versions of Bob Dylan's "Catfish", Nappy Brown's "Night Time Is the Right Time", Fenton Robinson's "Somebody Loan Me a Dime", and Little Willie John's track "Need Your Love So Bad". These Are the Days saw Castiglia get a nomination for a Blues Music Award for his self-penned song, "Bad Year Blues." He continued to tour and supported both ZZ Top and Elvin Bishop.

Keepin On (2010), recorded in Dover, New Jersey, featured five tracks written by Castiglia, plus covers of songs by John Lee Hooker ("Goin' Upstairs"), Mack Rice ("Cadillac Assembly Line"), T-Bone Walker ("My Baby is Now On My Mind"), Peter Green (Could Not Ask for More"), Robert Nighthawk ("Murderin' Blues") and Bob Dylan ("Till I Fell In Love With You"). Living the Dream (2012), included contributions on Hammond B3 organ and piano from John Ginty. Roots Music Report bestowed him with the Top Blues Album Award for 2011 and 2012. In December 2013, Castiglia performed at the Bradenton Blues Festival.

In March 2014, Castiglia signed a recording contract with Ruf Records. His seventh album in all and his first on Ruf Records was Solid Ground, which was recorded in Glen Ridge, New Jersey. It contained the Lefty Dizz-penned track "Bad Avenue", Castiglia's version of the blues standard, "Goin' Down Slow", and a cover of the Rolling Stones, "Sway". Solid Ground peaked at number 10 in the US Billboard Top Blues Albums chart.

In 2015, Castiglia made a guest appearance on John Ginty's albums, Bad News Travels and the subsequent Bad News Travels (Live).

In May 2020, Castiglia won a Blues Music Award in the 'Blues Rock Album of the Year' category for his album, Masterpiece. In 2023, he won two Blues Music Awards as 'Blues Rock Artist of the Year' and 'Blues Rock Album of the Year' for I Got Love.

NEW!
2026-Grits & Glory @FLAC24-96

Sonny Boy WILLIAMSON I

(John Lee Curtis "Sonny Boy" Williamson)
(March 30, 1914 - June 1, 1948)
DISCOGRAPHY 1938-2008 (36CD)
 BIOGRAPHY 
        
John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player and singer, and the first to use the name Sonny Boy Williamson.

Williamson was born near Jackson, Tennessee in 1914. His original recordings were considered to be in the country blues style, but he soon demonstrated skill at making harmonica a lead instrument for the blues, and popularized it for the first time in a more urban blues setting.

He has been called "the father of modern blues harp". While in his teens he joined Yank Rachell and Sleepy John Estes playing with them in Tennessee and Arkansas, and in 1934 settled in Chicago..... (Wikipedia)

NEW!
2000–Shake The Boogie (LP) @FLAC24-96
(Amazing Cover !! LOL!)

Sue.FOLEY

⬇️ SUE FOLEY ⬇️
DISCOGRAPHY 1992-2026 (24CD/DVD)
 BIOGRAPHY 
Sue Foley (born March 29, 1968, Ottawa, Ontario, Canada) is a Canadian blues singer and guitarist.

Born to a working-class family, Foley grew up listening to her father play and sing Irish folk songs. After seeing James Cotton perform when she was 15, she made the lifelong decision to play blues guitar.

At 16, Foley started playing professionally around Ottawa with local blues bands. By 21, she was living in Austin, Texas, and recording for legendary blues label Antone’s Records. Her first CD Young Girl Blues quickly established her unique talents as a blues guitarist and songwriter.

Throughout the 90’s she took to the road with her paisley Telecaster and honed her craft working/sharing the stage with such artists as BB King, Buddy Guy, Lucinda Williams and Tom Petty. In 1997 she moved back to Canada to raise her son.

Foley was also an excellent and advanced voice student of Cantor Stephen Chaiet of the NATS (National Association of Teachers of Singing of America). In 2000, her home country honored her with her first Juno Award (Canada's premier music awards): Best Blues Album for her CD Love Comin’ Down.

Since 1999, she has received a record-setting 17 Maple Blues Awards, and 3 Trophées de blues in France. Sue also received a nomination for the prestigious W.C. Handy Award for best contemporary female artist in 2003.

NEW!
1990.11.17-LIVE Antone's, Austin, TX @FLAC24-48
2026-Alone (Together) A Holiday Companion @FLAC24-96

Maria MULDAUR

⬇️ MARIA MULDAUR ⬇️
(Maria Grazia Rosa Domenica D'Amato)
DISCOGRAPHY 1973-2025 (49CD)
 BIOGRAPHY 
Muldaur was born Maria Grazia Rosa Domenica D'Amato in Greenwich Village, New York City, where she attended Hunter College High School.


Muldaur began her career in the early 1960s as Maria D'Amato, performing with John Sebastian, David Grisman, and Stefan Grossman as a member of the Even Dozen Jug Band.


She then joined Jim Kweskin and His Jug Band as a featured vocalist and occasional violinist. During this time, she was part of the Greenwich Village scene that included Bob Dylan, and some of her recollections of the period, particularly with respect to Dylan, appear in Martin Scorsese's 2005 documentary film, No Direction Home.


She married fellow Jug Band member Geoff Muldaur, and after the Kweskin outfit broke up the two of them produced two albums. She began her solo career when their marriage ended in 1972, but retained her married name.


Her first solo album Maria Muldaur, released in 1973, contained her hit single "Midnight at the Oasis", which reached number 6 on the Billboard Hot 100 in 1974. It also peaked at number 21 in the UK Singles Chart. Later that year, she released her second album Waitress In A Donut Shop. This included a re-recording of "I'm a Woman", the Leiber and Stoller number first associated with Peggy Lee and a standout feature from her Jug Band days. The title of this album is taken from a line in another song on the album, "Sweetheart" by Ken Burgan.

Around this time, Muldaur established a relationship with the Grateful Dead. Opening for some Grateful Dead shows in the summer of 1974 with John Kahn, bassist of the Jerry Garcia Band, which would eventually earn her a seat in that group as a backing vocalist in the late 1970s.

Muldaur appeared on Super Jam (1989), the live recording of the German TV series Villa Fantastica with Brian Auger on piano, Pete York on drums, Dick Morrissey on tenor saxophone, Roy Williams on trombone, Harvey Weston on bass and Zoot Money, also on vocals.

Muldaur continued to perform, tour, and record after her success in the mid-1970s, including a turn at the Teatro ZinZanni in 2001.

Her 2005 release Sweet Lovin' Ol' Soul was nominated for both a W.C. Handy Award and a Grammy award in the Traditional Blues Category.

NEW!
1974-Waitress In A Donut Shop (LP) @FLAC+
1976-Sweet Harmony (LP) @FLAC+
1979-Open Your Eyes (LP) @FLAC
1982-There Is A Love (LP) @FLAC+
1990-On The Sunny Side @FLAC+
1993-Jazzabelle @FLAC+
1993-Sweet and Slow @FLAC
1996-Fanning The Flames @FLAC+
2002-Animal Crackers In My Soup @FLAC
2003-Classic Live! @FLAC+
2005-Rhino Hi-Five @FLAC
2005-Sweet Lovin' Ol' Soul @FLAC+
2006-Songs For The Young At Heart @FLAC
2008-Live in Concert @FLAC
2010-Barnyard Dance_ Jug Band Music For Kids @FLAC
2010-Blues Jam Live Audio_ Maria Muldaur @FLAC
2010-Christmas at the Oasis @FLAC+
2025-One Hour Mama_The Blues of Victoria Spivey @FLAC24
The SUNDOGS
2006-Bon Temps Noel @FLAC

Alabama Shakes

⬇️ ALABAMA SHAKES ⬇️
DISCOGRAPHY (30CD/DVD)
 BIOGRAPHY 
Alabama Shakes were an American rock band formed in Athens, Alabama, in 2009. The band consisted of lead singer and guitarist Brittany Howard, guitarist Heath Fogg, bassist Zac Cockrell, and drummer Steve Johnson.

The band began its career touring and performing at bars and clubs around the Southeastern United States for two years while honing its sound and writing music. They recorded their debut album, Boys & Girls, with producer Andrija Tokic in Nashville while still unsigned.

Online acclaim led ATO Records to sign the band, which released Boys & Girls in 2012 to critical success. The album's hit single, "Hold On," was nominated for three Grammy Awards.

After a long touring cycle, the band recorded its second record, Sound & Color, which was released in 2015, debuted at number one on the Billboard 200, and won them three Grammy Awards, including Best Rock Song for "Don't Wanna Fight." In 2018, the band won the Grammy Award for Best American Roots Performance for their rendition of "Killer Diller Blue" in the film The American Epic Sessions, bringing their Grammy total to four.... (Wikipedia) 

NEW!
2026-I Must Be Dreaming @FLAC

Johnny WINTER

⬇️ JOHNNY WINTER ⬇️
(John Dawson 'Johnny' Winter III)
DISCOGRAPHY 1969-2026 (143CD/DVD)
 BIOGRAPHY 
        
Johnny Winter has been a guitar hero without equal. Signing to Columbia records in 1969 called largest solo artist deal of it’s time, Johnny immediately laid out the blueprint for his fresh take on classic blues a prime combination for the legions of fans just discovering the blues via the likes of Jimmy Page and Eric Clapton.


Constantly shifting between simple country blues in the vein of Robert Johnson, to all-out electric slide guitar blues-rock, – Johnny has always been one of the most respected singers and guitar players in rock and the clear link between British blues-rock and American Southern rock (a la the Allman Brothers and Lynyrd Skynyrd.)

Throughout the ’70s and ’80s, Johnny was the unofficial torch-bearer for the blues, championing and aiding the careers of his idols like Muddy Waters and John Lee Hooker.

NEW!
Live Bootleg Series Vol.07 @FLAC+
Live Bootleg Series Vol.08 @FLAC+
2026-Gangster Guitars (Single) @FLAC

Carey & Lurrie BELL

⬇️ CAREY & LURRIE BELL⬇️
DISCOGRAPHY 1973-2018 (51CD/DVD)
 BIOGRAPHY 
CAREY BELL
Carey Bell (November 14, 1936 – May 6, 2007) was an American blues musician, who played the harmonica in the Chicago blues style. Bell played harmonica (harp) and bass for other blues musicians during the late 1950s, 1960s and early 1970s before embarking on a solo career.

Besides his own albums, he recorded as an accompanist or duo artist with Earl Hooker, Robert Nighthawk, Lowell Fulson, Eddie Taylor, Louisiana Red, Jimmy Dawkins as well as a frequent partner with his son, guitarist Lurrie Bell.


Blues Revue called Bell "one of Chicago’s finest harpists." The Chicago Tribune said Bell is "a terrific talent in the tradition of Sonny Boy Williamson and Little Walter.


Bell was born Carey Bell Harrington in Macon, Mississippi. As a child, Bell was intrigued by the music of Louis Jordan. Bell wanted a saxophone in order to be like his hero Jordan; however, Bell's family could not afford a saxophone he had to settle for the harmonica, colloquially known as a "Mississippi saxophone." Soon Bell was attracted by the blues harmonica greats: DeFord Bailey, Big Walter Horton, Marion "Little Walter" Jacobs, and Sonny Boy Williamson I and II. Bell taught himself to play. By the time he was eight, he was quite proficient on the instrument. When he was thirteen, Bell joined his pianist godfather Lovie Lee's blues band.

In September 1956, Lovie Lee convinced Bell to go with him to Chicago. Not long after arriving, Bell went to the Club Zanzibar, where Little Walter was appearing. Bell met Walter and later learned some harp playing from him and his main Chicago teacher, Big Walter Horton. To help further his chances of employment as a musician, Bell learned how to play the electric bass (from Hound Dog Taylor).

Despite Bell's learning from some of the greatest blues harp players of the genre, he arrived in Chicago at an unfortunate time. The demand for harp players was decreasing there as electric guitar became the prominent blues instrument. To pay the bills, Bell continued to play bass and joined several bands as a bassist. In the late 1960s, he appeared regularly on the west side of Chicago with guitarists Eddie Taylor and Royal Johnson, playing both harmonica and bass. In 1969 Bell toured Europe and the UK with the American Folk Blues Festival, and played at the Royal Albert Hall in London, appearing on a live recording of the event.

In 1969, Delmark Records in Chicago released Bell's debut LP, Carey Bell's Blues Harp. Bell played with Muddy Waters in late 1970 and 1971 and later with Willie Dixon's Chicago Blues All-Stars. In 1972, Bell teamed up with Big Walter in the studio and released Big Walter Horton with Carey Bell for Alligator Records. A year later Bell released a solo project entitled Last Night for ABC Bluesway. Bell continued to play with Dixon as well as with his own groups, and in 1978, Bell was featured on the Grammy-nominated album Living Chicago Blues on Alligator. Also, in the 1970s, Bell appeared on two Bob Riedy Blues Band recordings.

During the 1980s Bell continued to record for various labels and to tour. In 1990, Bell teamed up with fellow harpists Junior Wells, James Cotton and Billy Branch to record Harp Attack!. A modern Blues classic, Harp Attack! became one of Alligator Records's best selling albums.

Despite years in the business and work with Alligator, Bell's first full-length solo album for the label was not until Deep Down, released in 1995. In 1997, Bell released the second album on the label Good Luck Man. Second Nature (originally recorded in Finland a few years earlier) followed in 2004; a duet album with his guitarist son, Lurrie Bell (who shared the guitar duties with Carl Weathersby on Deep Down).
In 1998, Bell was awarded the Blues Music Award for Traditional Male Artist Of The Year.

In 2007, Delmark Records released a live set by Bell, accompanied by a band which included his son Lurrie, guitarist Scott Cable, Kenny Smith, Bob Stroger and Joe Thomas.

Carey Bell died of heart failure on May 6, 2007, in Chicago, Illinois.

LURRIE BELL
Lurrie Bell (born Lurrie C. Bell, December 13, 1958, Chicago, Illinois, United States) is an American blues guitarist and singer. His father was renowned blues harmonica player, Carey Bell.

Bell started playing guitar at the age of six, and in his teens he polished his skills playing with the legends of Chicago blues scene including Eddy Clearwater, Big Walter Horton and Eddie Taylor.
In the mid 1970s, he went on to join Koko Taylor's Blues Machine and he toured with the band for four years. He made his recording debut in 1977 appearing on his father's album Heartaches and Pain and also on Eddie C. Campbell's King of the Jungle.

It was around that time that he formed The Sons of Blues with musicians including Billy Branch on harmonica. Three tracks of the band's recordings were featured in the Alligator Records compilation Living Chicago Blues Vol.3 released in 1978.

In 1989 he released his first solo effort, Everybody Wants To Win, on JSP Records.

Though Bell's career appeared to be headed in the right direction, drawing attention of the blues fans around the world as a young prodigy of the blues, he battled emotional problems and drug abuse for many years, which kept him away from performing on regular basis.

He began a comeback in 1995 with the well-received album Mercurial Son, his first of several from the Delmark label. A series of albums followed thereafter, and he started to perform more frequently in the Chicago club and blues festival circuits.

Bell is featured on Gettin' Up – Live at Buddy Guy's Legends, Rosa's and Lurrie's Home, a 2007 CD and DVD release from Delmark, where he plays with his father Carey. Soon after this release, Carey died and this became his last recorded effort.

NEW!
CAREY & LURRIE BELL
2004-Harpslinger (SACD) @FLAC24-176