⬇️ JAZZ GILLUM ⬇️
(William McKinley "Jazz" Gillum)
DISCOGRAPHY 1961-2025 (21CD)
Gillum was born in Indianola, Mississippi. He ran away from home at age
seven and for the next few years lived in Charleston, Mississippi,
working and playing for tips on street corners. He moved to Chicago in
1923, where he met the guitarist Big Bill Broonzy. The duo started
working at nightclubs around the city.[3] By 1934 Gillum was recording
for ARC Records and Bluebird Records.
Gillum's recordings, under his own name and as a sideman, were included
on many of the highly popular "Bluebird beat" recordings produced by
Lester Melrose in the 1930s and 1940s. In 1940, he recorded "Key to the
Highway" (featuring Broonzy on guitar), utilizing the now-standard
melody and eight-bar blues arrangement. The song had first been recorded
a few months earlier by Charlie Segar, with a different melody and a
12-bar blues arrangement. Gillum's styling of the song was copied by
Broonzy a few months later, and his version became the standard
arrangement of this now-classic blues track.
Gillum's records were some of the earliest featuring blues with
electric guitar accompaniment, when the 16-year-old jazz guitarist
George Barnes played on several songs on Gillum's 1938 session that
produced "Reefer Headed Woman " and others.
He joined the United States Army in 1942 and served until 1945.
Gillum recorded an early version of "Look on Yonder Wall" (1946) with
Big Maceo on piano, which was later popularized by Elmore James.
After the Bluebird label folded in the late 1940s, he made few
recordings. His last recordings were on a couple of 1961 albums with
Memphis Slim and the singer and guitarist Arbee Stidham, for Folkways
Records.
On March 29, 1966, Gillum was shot in the head during a street argument
and was pronounced dead on arrival at Garfield Park Hospital, in
Chicago. He is buried at Restvale Cemetery, in Alsip, Illinois.
(Wikipedia)