Showing posts with label Blues Piano. Show all posts
Showing posts with label Blues Piano. Show all posts

Blind John DAVIS

⬇️ BLIND JOHN DAVIS ⬇️
DISCOGRAPHY 1976-1997  (10CD)
 BIOGRAPHY 
Blind John Davis (December 7, 1913 – October 12, 1985) was an American blues and boogie-woogie pianist and singer. He is best remembered for his recordings, including "A Little Every Day" and "Everybody's Boogie".

Davis was born in Hattiesburg, Mississippi, and relocated with his family to Chicago at the age of two. Seven years later he had lost his sight. In his early years Davis backed Merline Johnson, and by his mid-twenties he was a well-known and reliable accompanying pianist.

Between 1937 and 1942, he recorded with Big Bill Broonzy, Sonny Boy Williamson I, Tampa Red, Red Nelson, Merline Johnson, and others. He also made several records of his own, singing in his lightweight voice.

Having played in various recording sessions with Lonnie Johnson, Davis teamed up with him in the 1940s. He recorded later on his own. His "No Mail Today" (1949) was a minor hit. Most of Doctor Clayton's later recordings featured Davis on piano.

He toured Europe with Broonzy in 1952, the first blues pianist to do so. In later years Davis toured and recorded frequently in Europe, where he enjoyed a higher profile than in the United States.

In 1955, Davis's house in Chicago burned down. His wife died in the fire, and his collection of 1700 78-rpm records, some of them unissued, was destroyed.

Davis died in Chicago in October 1985, at the age of 71.

NEW!
1997-The Incomparable @320

Eddie BO

⬇️ EDDIE BO ⬇️
(Edwin Joseph Bocage)
DISCOGRAPHY 1977-2021 (11CD)
 BIOGRAPHY 
Edwin Joseph Bocage (September 20, 1930 – March 18, 2009), known as Eddie Bo, was an American singer and pianist from New Orleans. Schooled in jazz, he was known for his blues, soul and funk recordings, compositions, productions and arrangements. He debuted on Ace Records in 1955 and released more single records than anyone in New Orleans other than Fats Domino.

Eddie Bo worked and recorded for more than 40 different record labels, including Ace, Apollo, Arrow, At Last, Blue-Jay, Bo-Sound, Checker, Chess, Cinderella, Nola, Ric (for which business his carpentry skills were used to build a studio), Scram, Seven B, and Swan. Allmusic calls him "a sorely underappreciated veteran of the New Orleans R&B scene."

Eddie Bo grew up in Algiers, Louisiana and in the Ninth Ward of New Orleans. He came from a long line of ship builders with the male members of his family being bricklayers, carpenters and masons by day and musicians by night. Eddie's mother was a self-taught pianist in the style of friend, Professor Longhair. The Bocage family was involved in the traditional jazz community with cousins Charles, Henry and Peter, who played with Sidney Bechet, contributing to jazz orchestras before World War II.

Eddie graduated from Booker T. Washington High School before going into the army. After his army stint, he returned to New Orleans to study at the Grunewald School of Music. There he learned piano and music theory, and to sight read and arrange music. At this time he was influenced by Russian classical pianist Vladimir Horowitz and was introduced to jazz pianists Art Tatum and Oscar Peterson. He began playing in the New Orleans jazz scene, but switched to R&B after deciding it was more popular and brought in more money. Like a lot of other local musicians Eddie frequented the premier blues venue in town, the Dew Drop Inn on LaSalle Street. He played at the Club Tijuana under the name of Spider Bocage, later forming the Spider Bocage Orchestra, which toured the country supporting singers Big Joe Turner, Earl King, Guitar Slim, Johnny Adams, Lloyd Price, Ruth Brown, Smiley Lewis, and The Platters.

His first released record in 1955 was "Baby", recorded for Johnny Vincent's Ace Records. His next release, in 1956 on Apollo Records, was "I'm Wise", which Little Richard later recorded as "Slippin' and Slidin'". After several releases on Ace he recorded "My Dearest Darling" in 1957 for Chess Records; the song, co-written by Bo and Paul Gayten, became a national chart hit in 1960 when recorded by Etta James. From 1959, he recorded for Ric Records, and had regional hits including "Every Dog Has Its Day" and "Tell It Like It Is", and in 1961 recorded the novelty dance song "Check Mr Popeye", reissued nationally by Swan Records, which became one of his best-known recordings though not a national hit.

During the 1960s, Bo continued to release singles on a string of local record labels, including Rip, Cinderella, and Blue Jay, though only a few achieved national distribution. On these records, his style got funkier, and he used more of his jazz training, helping to create a distinctively different and influential New Orleans piano style. He recorded the renowned "Pass The Hatchet" under the nom de disque Roger and the Gypsies for Joe Banashak's Seven B label as well as "Fence of Love" and "SGB" (Stone Graveyard Business) under his own name. He either wrote or produced most of the titles on Seven B records.

 He also worked as a record producer, with musicians including Irma Thomas, Chris Kenner, Johnny Adams, Al "Carnival Time" Johnson, Art Neville, Chuck Carbo, Mary Jane Hooper, Robert Parker, and The Explosions. In 1969, at the height of funk, he had his only national chart hit, "Hook and Sling, Pts. 1 & 2", which reached number 13 on the Billboard R&B chart and number 73 on the pop chart. The song, on the Scram label, was recorded in just one take. He then formed his own label, Bo-Sound, and had another regional hit with "Check Your Bucket".

From the early 1970s Bo worked in the music business only sporadically, after setting up his own renovation business. In 1977 he released two albums, The Other Side of Eddie Bo and Watch for the Coming, which he produced himself. In the late 1980s and 1990s he recorded with the Dirty Dozen Brass Band, with whom he toured Europe, and resurrected his Bo-Sound label. He joined Willy DeVille to play on two DeVille records, Victory Mixture and Big Easy Fantasy, and he toured with DeVille as well. He later played and recorded with Raful Neal and Rockin' Tabby Thomas under the names The Louisiana Legends,

He continued to perform frequently in New Orleans and at festivals elsewhere, and toured intermittently. He also bought a doctor's office and salon on Banks Street which he and his manager converted into an eatery for fans called Check Your Bucket after his 1970 hit. Like his home and recording studio it was hit by Hurricane Katrina while Bo was on tour in Paris. Due to Bo's carpentry and bricklaying skills he took on the task of completing the hurricane-damage repairs himself.

Eddie Bo died on March 18, 2009, in Picayune, Mississippi, United States, of a heart attack, aged 78. After his death, his body was cremated on the instructions of a woman claiming to be his sister, although other close relatives of Bo have subsequently claimed that she was unrelated to him.

A memorial concert was held in his memory on April 1, 2009, with guests including Dr. John, Irma Thomas and Allen Toussaint. (Wikipedia)

Allen TOUSSAINT

⬇️ ALLEN TOUSSAINT ⬇️
DISCOGRAPHY 1970-2019 (44CD/DVD)
 BIOGRAPHY 
Allen Toussaint (January 14, 1938 – November 10, 2015) was an American musician, songwriter, arranger and record producer, who was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures".

The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son.

His father, Clarence, worked on the railway and played trumpet. Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn. In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin, before dropping out of school. A significant early influence on Toussaint was the syncopated "second-line" piano style of Professor Longhair.

After a lucky break at age 17, in which he stood in for Huey "Piano" Smith at a performance with Earl King's band in Prichard, Alabama, Toussaint was introduced to a group of local musicians led by Dave Bartholomew, who performed regularly at the Dew Drop Inn, a nightclub on Lasalle Street in Uptown New Orleans. His first recording was in 1957 as a stand-in for Fats Domino on Domino's record "I Want You to Know", on which Toussaint played piano and Domino overdubbed his vocals. His first success as a producer also came in 1957 with Lee Allen's "Walking with Mr. Lee". He began performing regularly in Bartholomew's band, and he recorded with Fats Domino, Smiley Lewis, Lee Allen and other leading New Orleans performers.

After being spotted as a sideman by the A&R man Danny Kessler, he initially recorded for RCA Records as Al Tousan. In early 1958 he recorded an album of instrumentals, The Wild Sound of New Orleans, with a band including Alvin "Red" Tyler (baritone sax), either Nat Perrilliat or Lee Allen (tenor sax), either Justin Adams or Roy Montrell (guitar), Frank Fields (bass), and Charles "Hungry" Williams (drums). The recordings included Toussaint and Tyler's composition "Java", which first charted for Floyd Cramer in 1962 and became a number 4 pop hit for Al Hirt (also on RCA) in 1964. Toussaint also recorded and co-wrote songs with Allen Orange in the early 1960s..... (Wikipedia)

Buster PICKENS

⬇️ BUSTER PICKENS ⬇️
(Edwin Goodwin Pickens)
(4CD)
 BIOGRAPHY 
He was born Edwin Goodwin Pickens in Hempstead, Texas.

In the 1930s Pickens, along with Robert Shaw and others, was part of the "Santa Fe Circuit", named after touring musicians utilising the Santa Fe freight trains. From that time, Pickens described people doing the slow drag to "slow low-down dirty blues" in barrelhouse joints.

Following service in the United States Army in World War II, Pickens settled in Houston, Texas. He appeared on his first disc recording on January 13, 1948, providing backing for Perry Cain on his single "All the Way from Texas" backed with "Cry Cry", released by Gold Star Records. Further recording work followed over the next eighteen months, as Pickens played in different sessions as part of the accompaniment to Cain, Bill Hayes, and Goree Carter.

Pickens later accompanied Alger "Texas" Alexander in the latter's final recording session, for Freedom Records in 1950. Later Pickens regularly performed with Lightnin' Hopkins and played on several of Hopkins's albums in the early 1960s, including Walkin' This Road by Myself (1962), Lightnin' and Co. (1962), and Smokes Like Lightning (1963). Pickens had by this time also recorded his own debut solo album, Buster Pickens (1960), and appeared in the 1962 film The Blues.

Pickens was shot dead by his cousin after an argument in a bar in Houston, in November 1964.

Teresa JAMES

⬇️ TERESA JAMES ⬇️
DISCOGRAPHY 2000-2026 (13CD)
 BIOGRAPHY 
Originally from Houston, Texas, Teresa is based in Los Angeles where she has assembled a group of some of the top LA based touring and session musicians in her band, The Rhythm Tramps. They have been working in the LA area and at blues festivals and clubs throughout the US and Europe for many years. For the last 12 years, the band has also been a favorite on Delbert McClinton's Sandy Beaches Blues Cruise.

She has released 8 CDs  - her most recent, COME ON HOME, was released in August, 2012 and has been getting regular airplay on stations around the world and charting for weeks at a time on the Roots Radio Charts (topping off at the #3 spot). It has been listed on many ‘best of’ lists for 2012 and has been receiving raves reviews from writers and DJs everywhere.
Her 2008 release, THE BOTTOM LINE, garnered her a nomination by the Blues Foundation for Contemporary Blues Female Artist of the Year and her 2010 CD, YOU KNOW YOU LOVE IT, was a finalist for an Independent Music Award (IMA).

She has performed live with such legendary artists as Levon Helm, Delbert McClinton, Eric Burdon, Marcia Ball, Tommy Castro, Big Al Anderson, Kirk Whalum, and many others. Her voice is featured on albums by Randy Newman, Eric Burdon, Tommy Castro, Bill Medley, and Walter Trout, among others. She has also sung for television and movie soundtracks; She and her band were featured in the Disney movie and soundtrack for "HOLES".

Teresa's band is an eclectic mix of Los Angeles based musicians who have worked with a wide range of artists including: Jimmy Reed, Eric Burdon, Jackson Browne, Taj Mahal, Bonnie Raitt, Jennifer Warnes, Was Not Was, Johnny Nash and many, many others.

NEW!
2005-The Rhythm Method @320
2019-Live! @FLAC
2023-Rose-Colored Glasses Vol.2 @FLAC
2023-With a Little Help from Her Friends @FLAC
2026-Bad at Being Good @FLAC

Willie MABON

⬇️ WILLIE MABON ⬇️
(Willie James Mabon - October 24, 1925 – April 19, 1985)
DISCOGRAPHY 1954-2026 (27CD)
 BIOGRAPHY 
        
Willie Mabon (October 24, 1925 – April 19, 1985) was an American R'n'B singer, songwriter and pianist.


Born Willie James Mabon, and brought up in Hollywood, Memphis, Tennessee, he had become known as a singer and pianist by the time he moved to Chicago in 1942.

He formed a group, the Blues Rockers, and in 1949 began recording for the Aristocrat label, and then Chess. His style contrasted with many Chess artistes – it was cool and jazzy, emphasising piano and saxophone rather than guitar and harmonica...... (Wikipedia)

NEW!
2026-I'm Mad - The Early Years Collection (1953-62) @320

Willie LOVE

⬇️ WILLIE LOVE ⬇️
(6CD)
 BIOGRAPHY 
Willie Love Jr. (November 4, 1906 – August 19, 1953) was an American Delta blues pianist. He is best known for his association with and accompaniment of Sonny Boy Williamson II.

Love was born in Duncan, Mississippi. In 1942, he met Sonny Boy Williamson II in Greenville, Mississippi. They played regularly together at juke joints throughout the Mississippi Delta. Love was influenced by the piano playing of Leroy Carr and was adept at both standard blues and boogie-woogie styling.

In 1947 Charley Booker moved to Greenville, where he worked with Love. Two years later, Oliver Sain also relocated to Greenville to join his stepfather, Love, as the drummer in a band fronted by Williamson. When Williamson recorded for Trumpet Records in March 1951, Love played the piano on the recordings. Trumpet's owner, Lillian McMurray, had Love return the following month and again in July 1951, when he recorded his best-known song, "Everybody's Fishing", which he wrote. 

Love played piano and sang, with guitar accompaniment by Elmore James and Joe Willie Wilkins. His backing band was known as the Three Aces. A studio session in December 1951 had Love backed by Little Milton (guitar), T.J. Green (fiddle), and Junior Blackman (drums). In his teenage years, Eddie Shaw played tenor saxophone with both Milton and Love.

Under his own name, Love did not return to the studio until March 1953, when he cut "Worried Blues" and "Lonesome World Blues." Despite the friendship between them, Love did not utilise Williamson's playing on any of his own material. In April 1953, Love and Williamson recorded in Houston, Texas, in Love's final recording session.

Love played piano on Williamson's albums I Ain't Beggin' Nobody and Clownin' with the World (1953). All of Love's own recordings appeared on the compilation album Greenville Smokin', issued in 2000.

After suffering the effects of years of heavy drinking, Love died of bronchopneumonia, in August 1953, at the age of 46. He was interred at the Elmwood Cemetery in Jackson, Mississippi.

NEW!
1951-Trumpet 175 (78rpm) @FLAC24-96

Roy HAWKINS

⬇️ ROY HAWKINS ⬇️
(Roy Theodore Hawkins)
(3CD/LP)
 BIOGRAPHY 
       
Roy Theodore Hawkins (February 7, 1903 – March 19, 1974) was an American blues singer, pianist, and songwriter. After working in clubs, he broke through with his 1950 song "Why Do Everything Happen to Me?," inspired by an auto accident which paralyzed his right arm. Several of his songs, most notably "The Thrill Is Gone", were covered by later artists, including Ray Charles, B.B. King, and James Brown.

Hawkins was born in Jefferson, Texas. Little is known of the early part of his life. By the mid-1940s he was performing as a singer and pianist in the Oakland, California area, where he was discovered by musician and record producer Bob Geddins, who was impressed by Hawkins' "soulful, doom-laden style". Hawkins seems to have made his first recordings when about 45 years old, for the Cava-Tone and Down Town record labels in 1948. His band, the Four Jacks, included saxophonist William Staples, guitarist Ulysses James, bassist Floyd Montgomery, and drummer Madison Little.

He signed with Modern Records in Los Angeles the following year, and stayed with that label until 1954. He had his first chart hit with "Why Do Things Happen To Me" (also known as "Why Do Everything Happen To Me"). Though the song had been written by Geddins while Hawkins was hospitalized after his auto accident, he sold it to Jules Bihari at Modern, and the record was released with the songwriting credit given jointly to Bihari (as "Jules Taub") and Hawkins. "Why Do Things Happen To Me" reached number 2 on the Billboard R&B chart in early 1950, and was later recorded by both B. B. King and James Brown (as "Strange Things Happen")......

NEW!
1952-Why Do Everything Happen To Me (LP) @FLAC+
2006-Bad Luck Is Falling @FLAC

Kenny 'Blues Boss' WAYNE

DISCOGRAPHY 1995-2022 (16CD/DVD)
 BIOGRAPHY 
Kenny Wayne may be nicknamed the Blues Boss, but a more apt title would be the King of Boogie-Woogie. The pianist/singer was born in Spokane, grew up in San Francisco, and honed his chops in the juke joints of Los Angeles, where he played Latin, pop, rock, and R'n'B.


Since the '80s he's been based in Vancouver, British Columbia, where his combination of boogie-woogie, blues, old-time R'n'B, and New Orleans fonk have made him a major attraction.


Wayne's a playful vocalist with a warm, witty style that echoes the work of Ray Charles, Louis Jordan, Fats Domino, Aaron Neville, and Johnny Otis. On this, his sixth album, he's in fine voice and backed by his usual cohorts Russell Jackson, bass; Johnny Ferreira, sax; Dave "Hurricane" Hoerl, harmonica; and Theo Brown, drums.

The album's vibe can be summed up in the title of one of the set's bounciest tracks, "Let's Have Some Fun." You can feel Wayne's smile as he sings the tune's hook and rocks the piano with a syncopated second-line feel accented by a funky horn section. "You Can Pack Your Suitcase," an obscure Fats Domino track written by Dave Bartholomew, is a driving shuffle highlighted by Wayne's light twinkling right-hand fills and Ferreira's nasty sax.

"Don't Cry" is a vivid slice of barrelhouse boogie, again with a bit of Crescent City syncopation that recalls Allen Toussaint's work with Lee Dorsey. "Tangueray" is a late-night saloon song with Wayne delivering a smooth, seductive vocal to sing the praises of his favorite libation.

The band joins in on backing vocals while guest player Rich McDonough adds a mellow guitar solo. "Boogie Woogie Mama" shows off Wayne's strong left hand and exuberant vocals and Hoerl's fine harmonica.

Wayne's solo makes the keys on his 88 dance off the piano. "My Sweet Little Peach" gives listeners a slightly more up-to-date take on the blues. Wayne's clavinet playing brings to mind Stevie Wonder and his spoken introduction plays a winking homage to Barry White. Wayne's son Cory Spruell drops a lively rap midway through the track to give the kids something to groove to.

NEW!
2024 Ooh Yeah! @FLAC

Amos MILBURN

⬇️ AMOS MILBURN ⬇️
DISCOGRAPHY 1953-2015 (44CD)
 BIOGRAPHY 
       
Amos Milburn (April 1, 1927 – January 3, 1980) was an African American rhythm and blues singer and pianist, popular during the 1940s and 1950s. He was born and died in Houston, Texas.


One commentator noted, "Milburn excelled at good-natured, upbeat romps about booze and partying, imbued with a vibrant sense of humour and double entendre, as well as vivid, down-home imagery in his lyrics."

The Texan boogie-woogie pianist and singer was an important performer of blues music during the years immediately after World War II. Milburn was one of the first performers to switch from sophisticated jazz arrangements to a louder "jump" blues.

He began to emphasize rhythm and technical qualities of voice and instrumentation second. His energetic songs, about getting 'high', were admired by fellow musicians, such as Little Willie Littlefield, Floyd Dixon and his prime disciple, Fats Domino.....

NEW!
ESSENTIAL CLASSICS
Vol. 602 Amos Milburn (2CD) @FLAC

Rosco GORDON

⬇️ ROSCO GORDON ⬇️
DISCOGRAPHY 1982-2023 (26CD/DVD)
 BIOGRAPHY 
Rosco Gordon (April 10, 1928 – July 11, 2002) was an American blues singer and songwriter. He is best known for his 1952 No.1 R&B hit single, "Booted", and two No.2 singles "No More Doggin'" (1952 RPM 350) and "Just a Little Bit" (1960 Vee-Jay 332).

Born on Florida Street in Memphis, Tennessee, Gordon was one of the Beale Streeters, a moniker given to a group of musicians who helped develop the style known as Memphis Blues. Gordon used a style of piano-playing known as 'The Rosco rhythm' and made a number of his early recordings for Sam Phillips at Sun Records.

This rhythm placed the accent on the off beats, and although other influential R&B pianists such as Professor Longhair (on "Willie Mae" among other songs) recorded in the same off-beat style before him, through his influence on the Jamaican pianist, Theophilus Beckford ("Easy Snappin'"), Gordon was cited as the foundation of Jamaican bluebeat and reggae music.

"Booted" (1952) gave his career a sound start, and was followed by "No More Doggin'" the same year. Sam Phillips later sold the master tape of "Booted" to two competing record labels, Chess and RPM, both of which released it as a single as he had done with some early Howlin' Wolf songs.

The RPM release reached No.1 on the Billboard R&B record chart. Chess and the Bihari Brothers later settled the conflict with the Biharis getting exclusive rights to Gordon and Chess signing Wolf to an exclusive contract.

In 1960, Gordon released his last charting single, "Just a Little Bit," which was both an R&B and a pop hit. However, there were no further hits, despite Gordon's youth, talent and exuberant and oddball personality.

In 1962, he gave up the music industry and moved to Queens, New York with his new wife, where he purchased a partnership in a laundry business. Following his wife's death in 1984, he returned to performing in the New York area.

In 2002, he was invited by filmmaker Richard Pearce to be featured as part of a documentary film about several blues musicians returning to Memphis for a special tribute to Sam Phillips in conjunction with the May 2002 W.C. Handy Awards. Called The Road To Memphis, the documentary aired on PBS television. Six weeks after filming finished, Gordon died of a heart attack at his apartment in Rego Park, Queens. He was 74 years old. He was interred in the Rosedale Cemetery in Linden, New Jersey.

"No More Doggin' " was covered by The Groundhogs on their 1972 album Hogwash and by Colin James on his first Little Big Band CD (1993), Colin James and The Little Big Band.

NEW!
1958-The Complete Sun Recordings (2CD) @320
1977-Legendary Sun Performers (LP) @320
1980-Best Of Vol.1 (LP) @320
1993-Just A Little Bit @320
2002-I'm Gonna Shake It @320
2009-Let's Get High - Man About Music From Memphis Vol.1 @320
2023-Just Love Me Baby @FLAC
ESSENTIALS CLASSICS
Vol.616 Rosco Gordon

Ray_CHARLES

⬇️ RAY CHARLES ⬇️
(Ray Charles Robinson)
DISCOGRAPHY 1954-2024 (358CD/DVD)
 BIOGRAPHY 
       
Ray Charles Robinson (known as Ray Charles; September 23, 1930 – June 10, 2004) was an American singer, songwriter, musician, and composer who is sometimes referred to as "The Genius".

He pioneered the genre of soul music during the 1950s by combining rhythm and blues, gospel, and blues styles into music recorded by Atlantic Records.

He also contributed to the racial integration of country and pop music during the 1960s with his crossover success on ABC Records, most notably with his two Modern Sounds albums.

While with ABC, Charles became one of the first African-American musicians to be granted artistic control by a mainstream record company. Frank Sinatra called him "the only true genius in show business", although Charles downplayed this notion. He was blind from the age of seven. His best friend in music was South Carolina-born James Brown, the "Godfather of Soul".

Charles cited Nat King Cole as a primary influence, but his music was also influenced by jazz, blues, rhythm and blues, and country artists of the day, including: Art Tatum, Louis Jordan, Charles Brown, and Louis Armstrong. Charles' playing reflected influences from country blues, barrelhouse and stride piano styles.... (Wikipedia)

NEW!
1961.10.22-Live At Palais Des Sports Paris, France (Afternoon Concert) @FLAC
1963-Ingredients In A Recipe For Soul (LP) @320
1964-Ray Charles  (Guest Star) @FLAC
1979-A Song Of You (Live Austin '79) @FLAC
2007-Ray Charles The Genius! @FLAC

Professor LONGHAIR

⬇️ PROFESSOR LONGHAIR ⬇️
(Henry Roland Byrd)
DISCOGRAPHY 1971-2021 (44CD)

 BIOGRAPHY 
        
Professor Longhair was born on December 19, 1918 in Bogalusa, Louisiana. He made a living as a street hustler until he started to play piano seriously in his thirties. He taught himself how to play on a piano with missing keys so his style became distinct.

He began his career in New Orleans in 1948, earning a gig at the Caldonia Club, where the owner, Mike Tessitore, bestowed Longhair with his stage name (due to Byrd's shaggy coiffure).

Longhair first recorded in 1949, creating four songs (including the first version of his signature song, "Mardi Gras in New Orleans," complete with whistled intro) for the Dallas, Texas based Star Talent label..... (Wikipedia)

NEW!
2015-Go to the Mardi Gras @FLAC
2016-Live in Chicago @FLAC
2016-No Buts, No Maybes. Hot in New Orleans!.(1949-57) @FLAC
2023-Blues and Boogie Woogie @FLAC
ROY BROWN
2005-Roy Brown & New Orleans R&B @FLAC CDD

Hadda BROOKS

⬇️HADDA BROOKS⬇️
(Hattie L. Hapgood)
DISCOGRAPHY 1945-2024 (24CD)
 BIOGRAPHY 
Hadda Brooks (born Hattie L. Hapgood October 29, 1916 – November 21, 2002) was an American pianist, vocalist and composer, who occasionally appeared playing the piano in film. Billed as "Queen of the Boogie", she was Inducted in the Rhythm and Blues Foundation Hall of Fame in 1993.

Brooks became a singer during the mid-1940s. Jules Bihari of Modern Records gave her the recording name "Hadda Brooks".

In the 1970s, she commuted to Europe for performances in nightclubs and festivals. She performed rarely in the United States, and moved to Australia. Queen of the Boogie, a compilation of recordings from the 1940s, was released in 1984. Two years later her manager Alan Eichler brought her out of a 16-year retirement before she went on tour. She sang at Hawaii's statehood ceremony in 1959, and was once invited to a private audience with Pope Pius XII.

She resumed her recording career with the 1994 album Anytime, Anyplace, Anywhere for DRG. Virgin Records acquired the old Modern catalogue and, thanks to Brooks' new-found success, issued a compilation of her 1940s and 1950s recordings entitled That's My Desire. 

The label signed her to record three songs for the Christmas album Even Santa Gets the Blues, made more unusual by the fact she had releases on the same label 50 years apart. Time Was When (Virgin, 1996) included Al Viola (guitar), Eugene Wright (bass) and Richard Dodd (cello), and she wrote two of its songs: "You Go Your Way and I'll Go Crazy" and "Mama's Blues". Concerts were held at Michael's Pub in New York City, and the Vine St. Bar and Grill.

In 2007, a 72-mn documentary on Brooks's life, Queen of the Boogie, directed by A.Young & B.Pett, was presented at the Los Angeles Silver Lake Film Festival....(Wikipedia)