Showing posts with label Earl HOOKER (24). Show all posts
Showing posts with label Earl HOOKER (24). Show all posts

Earl HOOKER

(Earl Zebedee Hooker)
DISCOGRAPHY 1961-2020 (24CD)
 BIOGRAPHY 
        
Earl Hooker (Jan. 15, 1930–Apr. 21, 1970) was a Chicago blues guitarist known for his slide guitar playing. Considered a "musician's musician", he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands.


An early player of the electric guitar, Hooker was influenced by the modern urban styles of T-Bone Walker and Robert Nighthawk. He recorded several singles and albums as a bandleader and with other well-known artists. His "Blue Guitar", a slide guitar instrumental single, was popular in the Chicago area and was later overdubbed with vocals by Muddy Waters as "You Shook Me".

Earl Zebedee Hooker was born in rural Quitman County, Mississippi, outside of Clarksdale. In 1930, his parents moved the family to Chicago as part of the Great Migration of blacks out of the rural South in the early 20th century.

His family was musically inclined (John Lee Hooker was a cousin), and Earl heard music played at home at an early age. About age ten, he started playing the guitar. He was self-taught and picked up what he could from those around him. He developed proficiency on the guitar but showed no interest in singing. He had pronounced stuttering, which afflicted him all his life. Hooker contracted tuberculosis when he was young. The disease did not become critical until the mid-1950s, but it required periodic hospital visits beginning at an early age.

By 1942, when he was 13, Hooker was performing on Chicago street corners with childhood friends, including Bo Diddley. From the beginning, the blues was Hooker's favorite music. In this period, country-influenced blues was giving way to swing-influenced and jump blues styles, which often featured the electric guitar. In 1942, the popular guitarist T-Bone Walker began a three-month stint at the Rhumboogie Club in Chicago.

He had considerable impact on Hooker, with both his playing and his showmanship. Walker's swing-influenced blues guitar, including "the jazzy way he would sometimes run the blues scales" and intricate chord work, appealed to Hooker. Walker's stage dynamics, which included playing the guitar behind his neck and with his teeth, influenced Hooker's own later stage act..... (Wikipedia)